Club Morocco in D

Jose Roberto Bertrami, Alex Malheiros, as played by Azymuth(1982)sambaFast Funky Samba (Reverse Partido Alto)
Do Re MiC D E
A
-
B
-
C
-
C
o
d
a
G9♯11
G9♯11
F♯maj9
Dm69
Amaj9
G♯13♯11
G9♯11
G9♯11
F♯m11
Dm69
G9♯11
F♯maj9
Amaj9
Amaj9
Amaj9
Gmaj9
C♯7♯9♯5
B7♯9♯5
Dm69
Amaj9
G♯13♯11
G9♯11
G9♯11
F♯m11
Dm69
G9♯11
F♯maj9
Dm69
Amaj9
G♯13♯11
G9♯11
G9♯11
F♯m11
Dm69
G9♯11
F♯maj9

Chord Diagrams — Club Morocco in D (Guitar)

G9♯11
EADGBE111234
5frEADGBExx12349frEADGBE11x23410frEADGBE111x23
F♯maj9
EADGBE111243
EADGBE11x2343frEADGBExx21438frEADGBE22214x
Dm69
2frEADGBEx421
3frEADGBEx31246frEADGBEx231410frEADGBE2222x1
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
Amaj9
EADGBE11x34
4frEADGBE112435frEADGBEx231411frEADGBE22214x
G♯13♯11
G♯ - C - D♯ - F♯ - A♯ - D - F
F♯m11
EADGBE231
EADGBE1111144frEADGBE11xx237frEADGBE11x234
Bm9
EADGBEx1234
3frEADGBE222x147frEADGBE11113410frEADGBE112234
E9sus
EADGBE23
5frEADGBE11x2347frEADGBE1111349frEADGBE11xx23
E7♭9
EADGBE312
4frEADGBE11346frEADGBE11x23410frEADGBE3241xx
A♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
Am9
EADGBEx2413
5frEADGBE1111348frEADGBE13210frEADGBE2222x1
G♯maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
Gmaj9
EADGBE21
EADGBE1112433frEADGBExx23149frEADGBEx2143x
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯7♯9♯5
C♯ - F - A - B - E
F♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
B7♯9♯5
B - D♯ - G - A - D

Club Morocco in D

Club Morocco in D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to F# (descending half step), F# to D (descending major third), D to A (descending perfect fourth), A to A (ascending unison), A to G# (descending half step), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to A# (ascending tritone), A# to A (descending half step), A to G# (descending half step), G# to G (descending half step), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to G by major third.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 38 bars · Form: A-B-C-Coda

Chords: G9♯11, F♯maj9, Dm69, A, Amaj9, G♯13♯11, F♯m11, Bm9, E9sus, E7♭9, A♯, Am9, G♯maj7, Gmaj9, G♯m7, C♯7♯9♯5, F♯m7♭5, B7♯9♯5.

Scales for Improvisation D bebop minor, D bebop.