Anatelio (The Happy People) in G#

Airto Moreira(1971)sambaMed. Slow Batucada (Samba) ♩=94
Do Re MiC D E
I
n
t
r
o
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A
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B
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C
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D
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E
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F
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G
F7♯5
A♯13
D♯13
D♯13sus
C7♭9♯5
F7♯5
A♯13
C13
A♯13
C13
A♯13

Chord Diagrams — Anatelio (The Happy People) in G# (Guitar)

A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
D♯9
EADGBExx132
5frEADGBE2222x110frEADGBE3142xx11frEADGBE111324
A♯9
EADGBEx1234
5frEADGBE11234x6frEADGBE11132412frEADGBE2222x1
F7♯5
EADGBE1234x
3frEADGBExx14238frEADGBE11x43212frEADGBE213x4x
A♯13
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
D♯13sus
D♯ - G♯ - A♯ - C♯ - F - C
C7♭9♯5
C - E - G♯ - B♭ - D♭
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
C13
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
F7♭9
EADGBE111423
EADGBE11xx237frEADGBE11x23411frEADGBE3241xx
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2

Anatelio (The Happy People) in G#

Anatelio (The Happy People) in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to D# (ascending perfect fourth), D# to A# (descending perfect fourth), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to C (descending minor third), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to F (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 24 bars · Form: Intro-A-B-C-D-E-F-G

Chords: A♯m7, D♯9, A♯9, F7♯5, A♯13, D♯13, D♯13sus, C7♭9♯5, Fm7, C13, F7♭9, Cm7, F7.

Scales for Improvisation G# bebop minor, G# bebop.