Anatelio (The Happy People) in A#

Airto Moreira(1971)sambaMed. Slow Batucada (Samba) ♩=94
Do Re MiC D E
I
n
t
r
o
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A
-
B
-
C
-
D
-
E
-
F
-
G
G7♯5
C13
F13
F13sus
D7♭9♯5
G7♯5
C13
D13
C13
D13
C13

Chord Diagrams — Anatelio (The Happy People) in A# (Guitar)

Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
F9
EADGBE111324
EADGBExx21437frEADGBE22222110frEADGBE1111x2
C9
EADGBE222221
7frEADGBE1123447frEADGBE1113249frEADGBExx2143
G7♯5
EADGBE4312
EADGBE1x234x5frEADGBExx142310frEADGBE11x432
C13
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
F13sus
F - B♭ - C - E♭ - G - D
D7♭9♯5
D - F♯ - A♯ - C - E♭
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
D13
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
G7♭9
EADGBE11324
EADGBE111x234frEADGBE11xx239frEADGBE11x234
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134

Anatelio (The Happy People) in A#

Anatelio (The Happy People) in A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C to F (ascending perfect fourth), F to C (descending perfect fourth), C to G (descending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F (ascending unison), F to D (descending minor third), D to G (ascending perfect fourth), G to D (descending perfect fourth), D to G (ascending perfect fourth), G to D (descending perfect fourth), D to G (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to C by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 24 bars · Form: Intro-A-B-C-D-E-F-G

Chords: Cm7, F9, C9, G7♯5, C13, F13, F13sus, D7♭9♯5, Gm7, D13, G7♭9, Dm7, G7.

Scales for Improvisation A# bebop minor, A# bebop.