Windows in Mi

Chick Corea(1966)swingMedium

Windows in Mi

Chick Corea's post-bop composition layers Lydian Dominant tension and Bebop Major clarity over a fluid E architecture. Dorian inflections soften the dominant color and give improvisers multiple entry points for expressive phrase building. Study the F#m7 – G7 – EMaj7 – D#m7b5 – G#7b9 – C#m7 – F#7 – B7 – Bm7 – E7 – AMaj7 – C7 changes to develop sophisticated vocabulary for post-bop major/dominant modal interplay.

Windows in Mi

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to G (ascending half step), G to E (descending minor third), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to C (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to F# by tritone.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: Fa♯m7, Sol7, MiMaj7, Re♯m7♭5, Sol♯7♭9, Do♯m7, Fa♯7, Si7, Sim7, Mi7, LaMaj7, Do7.

Scales for Improvisation Mi dorian, Mi lydian dominant, Mi major, Mi bebop major, Mi major pentatonic.