Do Re MiC D E

Windows

Corea Chick4/4waltz
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G7sus4
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Amaj7♯11
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Amaj7♯11
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Amaj7/D♯
F♯m7/B
D♯m7♭5/A♭
G♯7/G
C♯m7/G♭
F♯7/F
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F♯m7/B
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F♯m7/B
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Chord Diagrams — Windows in E (Guitar)

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Windows in E

Chick Corea's post-bop composition layers Lydian Dominant tension and Bebop Major clarity over a fluid E architecture. Dorian inflections soften the dominant color and give improvisers multiple entry points for expressive phrase building. Study the Em7 – C#m7b5 – F#7 – Bm7 – G7sus4 – Amaj7#11 – C#7 – D7 – Amaj7 – Amaj7/D# – F#m7 – F#m7/B – D#m7b5 – D#m7b5/Ab – G#7/G – G#7 – C#m7 – C#m7/Gb – F#7/F – G#m7 – F7#11 – Emaj7 changes to develop sophisticated vocabulary for post-bop major/dominant modal interplay.

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to G (descending major third), G to A (ascending whole step), A to C# (ascending major third), C# to D (ascending half step), D to A (descending perfect fourth), A to A (ascending unison), A to F# (descending minor third), F# to F# (ascending unison), F# to D# (descending minor third), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to G# (ascending whole step), G# to F (descending minor third), F to E (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to E by unison.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 56 bars · Form: ABC

Chords: Em7, C♯m7♭5, F♯7, Bm7, G7sus4, Amaj7♯11, C♯7, D7, Amaj7, Amaj7/D♯, F♯m7, F♯m7/B, D♯m7♭5, D♯m7♭5/A♭, G♯7/G, G♯7, C♯m7, C♯m7/G♭, F♯7/F, G♯m7, F7♯11, Emaj7.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E