Windows in La

Chick Corea(1966)swingMedium

Windows in La

Chick Corea's post-bop composition layers Lydian Dominant tension and Bebop Major clarity over a fluid A architecture. Dorian inflections soften the dominant color and give improvisers multiple entry points for expressive phrase building. Study the Bm7 – C7 – AMaj7 – G#m7b5 – C#7b9 – F#m7 – B7 – E7 – Em7 – A7 – DMaj7 – F7 changes to develop sophisticated vocabulary for post-bop major/dominant modal interplay.

Windows in La

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through B to C (ascending half step), C to A (descending minor third), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to F (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to B by tritone.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: Sim7, Do7, LaMaj7, Sol♯m7♭5, Do♯7♭9, Fa♯m7, Si7, Mi7, Mim7, La7, ReMaj7, Fa7.

Scales for Improvisation La dorian, La lydian dominant, La major, La bebop major, La major pentatonic.