Ulybka in A

V. Shainsky()swing
Do Re MiC D E
A
Bm11
AMaj9
G13♯11
DMaj9
A♯9♯11
G13♯11
A♯9♯11
DMaj9
C9♯11
B13
B13♯11
A69
C7♯9♯5
E13♭9
A♯9♯11
Am69
D♯13♯11
D9♯11
D13♯11
G13
G♯13
C69
B7♯9♯5
A♯13♯11
A7♯9♯5
D♯13♯11
F♯9♯11
FMaj13
E7♭9♯5
F13♯11
C69
B7♯9♯5
A♯13♯11
A7♯9♯5
D♯13♯11
F♯9♯11
FMaj13
E7♭9♯5
F13♯11

Chord Diagrams — Ulybka in A (Guitar)

Display
FingerNoteDegree
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
Bm11
EADGBEx123
5frEADGBE1113427frEADGBE1111149frEADGBE1122xx
AMaj9
G13♯11
G - B - D - F - A - C♯ - E
F♯m9
EADGBE2314
EADGBE1111237frEADGBE2222x110frEADGBExx2413
DMaj9
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
A♯9♯11
EADGBEx123
5frEADGBE11123x8frEADGBExx123412frEADGBE11x234
C♯m9
EADGBE2222x1
5frEADGBE222x147frEADGBE333x129frEADGBE111134
C9♯11
EADGBE11x234
3frEADGBE111x237frEADGBE11123410frEADGBExx1234
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
B13♯11
B - D♯ - F♯ - A - C♯ - F - G♯
A69
EADGBE11x34
4frEADGBE1112346frEADGBE2222x111frEADGBE11x234
C7♯9♯5
C - E - G♯ - B♭ - D♯
Bm9
EADGBEx1234
3frEADGBE222x147frEADGBE11113410frEADGBE112234
E13♭9
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
A6
EADGBE1111x
4frEADGBE2x143x5frEADGBE113x2410frEADGBEx4231x
Am6
EADGBEx2314
4frEADGBE2222x15frEADGBE1112347frEADGBE111x32
Am69
4frEADGBEx24
5frEADGBE1122227frEADGBE1112310frEADGBE333x12
D♯13♯11
D♯ - G - A♯ - C♯ - F - A - C
D9♯11
EADGBExx123
4frEADGBE11x2347frEADGBEx31429frEADGBE111234
F7♯11
EADGBE123
3frEADGBExx12347frEADGBE11x2348frEADGBE111x23
D13♯11
D - F♯ - A - C - E - G♯ - B
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
G♯13
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
C69
EADGBE11x334
3frEADGBEx1347frEADGBE1112349frEADGBE2222x1
B7♯9♯5
B - D♯ - G - A - D
A♯13♯11
A♯ - D - F - G♯ - C - E - G
A7♯9♯5
A - C♯ - F - G - C
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
F♯9♯11
EADGBE111234
4frEADGBExx12348frEADGBE11x2349frEADGBE111x23
FMaj13
F - A - C - E - G - D
E7♭9♯5
E - G♯ - C - D - F
F13♯11
F - A - C - E♭ - G - B - D
E7♭9
EADGBE312
4frEADGBE11346frEADGBE11x23410frEADGBE3241xx
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2

Ulybka in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to B (ascending whole step), B to A (descending whole step), A to G (descending whole step), G to F# (descending half step), F# to D (descending major third), D to B (descending minor third), B to A# (descending half step), A# to C# (ascending minor third), C# to C (descending half step), C to B (descending half step), B to B (ascending unison), B to A (descending whole step), A to C (ascending minor third), C to B (descending half step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to A (ascending unison), A to D# (ascending tritone), D# to D (descending half step), D to F (ascending minor third), F to D (descending minor third), D to G (ascending perfect fourth), G to G# (ascending half step), G# to G (descending half step), G to C (ascending perfect fourth), C to B (descending half step), B to A# (descending half step), A# to A (descending half step), A to D (ascending perfect fourth), D to F# (ascending major third), F# to F (descending half step), F to E (descending half step), E to F (ascending half step), F to E (descending half step), E to E (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 41 bars · Form: A

Chords: AMaj7, Bm11, AMaj9, G13♯11, F♯m9, DMaj9, Bm7, A♯9♯11, C♯m9, C9♯11, B13, B13♯11, A69, C7♯9♯5, Bm9, E13♭9, A6, Am6, Am69, D♯13♯11, D9♯11, F7♯11, D13♯11, G13, G♯13, G7, C69, B7♯9♯5, A♯13♯11, A7♯9♯5, Dm7, F♯9♯11, FMaj13, E7♭9♯5, F13♯11, E7♭9, E7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A