Do Re MiC D E

Ulybka

V. Shainsky2/2swing
Cm11
G♯13♯11
A♯Maj9
D♯Maj9
B9♯11
B9♯11
G♯13♯11
D♯Maj9
C♯9♯11
C13
C13♯11
C♯7♯9♯5
A♯69
F13♭9
%
B9♯11
E13♯11
A♯m69
D♯9♯11
D♯13♯11
A13
G♯13
C7♯9♯5
C♯69
A♯7♯9♯5
B13♯11
E13♯11
G9♯11
F♯Maj13
F♯13♯11
F7♭9♯5
C7♯9♯5
C♯69
A♯7♯9♯5
B13♯11
E13♯11
G9♯11
F♯Maj13
F♯13♯11
F7♭9♯5

Chord Diagrams — Ulybka in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯Maj7
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x
Cm11
EADGBE1111x2
EADGBE11x234
6frEADGBE111342
8frEADGBE111114
G♯13♯11
G♯ - C - D♯ - F♯ - A♯ - D - F
A♯Maj9
Gm9
3frEADGBE111134
EADGBE2341
6frEADGBE11xx2
8frEADGBEx21344
D♯Maj9
B9♯11
EADGBE111x23
EADGBE11x234
6frEADGBE2x341x
9frEADGBExx1234
Cm7
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
8frEADGBE111113
C♯9♯11
EADGBEx213
4frEADGBE111x23
8frEADGBE111234
9frEADGBE111123
Dm9
EADGBE132
3frEADGBEx21344
5frEADGBEx1423
10frEADGBE111134
C13
2frEADGBE44x213
3frEADGBE111134
6frEADGBE222341
8frEADGBE111324
C13♯11
C - E - G - B♭ - D - F♯ - A
C♯7♯9♯5
C♯ - F - A - B - E
A♯69
5frEADGBE111234
EADGBEx123
7frEADGBEx22134
12frEADGBE11x234
F13♭9
7frEADGBE44x213
EADGBE111324
EADGBE111234
8frEADGBE111134
Cm9
8frEADGBE111134
EADGBEx21344
EADGBEx1243
6frEADGBEx13244
A♯6
6frEADGBE113x24
EADGBE3333x1
5frEADGBE2134
10frEADGBEx4231x
A♯m6
6frEADGBE111234
EADGBEx13x24
3frEADGBEx2314x
5frEADGBE2x1334
E13♯11
E - G♯ - B - D - F♯ - A♯ - C♯
A♯m69
6frEADGBE11x234
5frEADGBE2x1334
8frEADGBE1112x4
11frEADGBEx3124x
F♯7♯11
8frEADGBE11x234
EADGBE111234
4frEADGBExx1234
9frEADGBE111x23
D♯9♯11
6frEADGBE11x23x
EADGBExx1234
5frEADGBE11x234
10frEADGBE111234
D♯13♯11
D♯ - G - A♯ - C♯ - F - A - C
A13
5frEADGBE111324
EADGBEx123
3frEADGBE4231
11frEADGBE44x213
G♯13
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
C7♯9♯5
C - E - G♯ - B♭ - D♯
C♯69
EADGBE11x234
EADGBE11x432
8frEADGBE111234
10frEADGBExx2134
A♯7♯9♯5
A♯ - D - E♯# - G♯ - B♯#
B13♯11
B - D♯ - F♯ - A - C♯ - F - G♯
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
G9♯11
EADGBE111234
5frEADGBExx1234
9frEADGBE11x234
10frEADGBE111x23
F♯Maj13
F♯ - A♯ - C♯ - F - G♯ - D♯
F♯13♯11
F♯ - A♯ - C♯ - E - G♯ - C - D♯
F7♭9♯5
F - A - C♯ - E♭ - G♭
F7♭9
EADGBE11xx23
EADGBE111423
7frEADGBE11x234
11frEADGBE3241xx
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2

Explore More

Ulybka in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to C (ascending whole step), C to G# (descending major third), G# to A# (ascending whole step), A# to G (descending minor third), G to D# (descending major third), D# to B (descending major third), B to C (ascending half step), C to C# (ascending half step), C# to D (ascending half step), D to C (descending whole step), C to C (ascending unison), C to C# (ascending half step), C# to A# (descending minor third), A# to F (descending perfect fourth), F to C (descending perfect fourth), C to A# (descending whole step), A# to A# (ascending unison), A# to E (ascending tritone), E to A# (ascending tritone), A# to F# (descending major third), F# to D# (descending minor third), D# to D# (ascending unison), D# to A (ascending tritone), A to G# (descending half step), G# to G# (ascending unison), G# to C (ascending major third), C to C# (ascending half step), C# to A# (descending minor third), A# to B (ascending half step), B to D# (ascending major third), D# to G (ascending major third), G to F# (descending half step), F# to F# (ascending unison), F# to F (descending half step), F to F (ascending unison), F to F (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 41 bars · Form: A

Chords: A♯Maj7, Cm11, G♯13♯11, A♯Maj9, Gm9, D♯Maj9, B9♯11, Cm7, C♯9♯11, Dm9, C13, C13♯11, C♯7♯9♯5, A♯69, F13♭9, Cm9, A♯6, A♯m6, E13♯11, A♯m69, F♯7♯11, D♯9♯11, D♯13♯11, A13, G♯13, G♯7, C7♯9♯5, C♯69, A♯7♯9♯5, B13♯11, D♯m7, G9♯11, F♯Maj13, F♯13♯11, F7♭9♯5, F7♭9, F7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#