Two for the Road in D#

Henry Mancini / Leslie Bricusse(1967)swing
Do Re MiC D E
A
B
Cm/A♯
C7sus4
Cm/G
Cm/A♯
C7sus4
Fm7sus4

Chord Diagrams — Two for the Road in D# (Guitar)

Display
FingerNoteDegree
Dm7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
Cm
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
Cm/A♯
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
G♯Maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
Ddim7
EADGBExx23
4frEADGBE11x2347frEADGBEx243110frEADGBE111234
C7sus4
EADGBE11x234
3frEADGBE1111345frEADGBE11xx238frEADGBE111134
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
Fm9
EADGBE111134
EADGBEx12346frEADGBE2222x111frEADGBE22221
A♯9
EADGBEx1234
5frEADGBE11234x6frEADGBE11132412frEADGBE2222x1
F/A
5frEADGBE111432
EADGBE1113423frEADGBE11x2438frEADGBE111234
D♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
F7♭9
EADGBE111423
EADGBE11xx237frEADGBE11x23411frEADGBE3241xx
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
D♯7♭9
EADGBExx24
5frEADGBE11x2346frEADGBE11x349frEADGBE3241xx
G♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
Cm/G
3frEADGBE111342
EADGBEx32145frEADGBE1142xx8frEADGBE111134
Fm
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
D♯6
EADGBE11xx34
4frEADGBEx4231x6frEADGBE3333x110frEADGBE2x143x
G♯mMaj7
EADGBE11x243
4frEADGBE1111326frEADGBE11x34211frEADGBE11x423
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
Fm7sus4
D♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4

Two for the Road in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C (ascending unison), C to G# (descending major third), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to D (ascending major third), D to C (descending whole step), C to C (ascending unison), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to F (descending perfect fourth), F to D# (descending whole step), D# to F (ascending whole step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C (ascending major third), C to F (ascending perfect fourth), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to C (ascending major third), C to G (descending perfect fourth), G to F (descending whole step), F to D# (descending whole step). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to D by half step.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 33 bars · Form: AB

Chords: Dm7♭5, G7, Cm, Cm/A♯, G♯Maj7, Fm7, A♯7, Ddim7, C7sus4, C7, Fm9, A♯9, F/A, D♯m7♭5, F7♭9, A♯m7, D♯7♭9, G♯, Cm/G, Fm, D♯6, G♯mMaj7, Cm7, Gm7, Fm7sus4, D♯.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#