Two for the Road in C#

Henry Mancini / Leslie Bricusse(1967)swing
Do Re MiC D E
A
B
A♯m/G♯
A♯7sus4
D♯/G
A♯m/F
A♯m/G♯
A♯7sus4
D♯m7sus4

Chord Diagrams — Two for the Road in C# (Guitar)

Display
FingerNoteDegree
Cm7♭5
EADGBEx1324x
4frEADGBE11xx248frEADGBE11123410frEADGBE333xx1
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
A♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
A♯m/G♯
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
Cdim7
EADGBExx1324
EADGBE11x2347frEADGBE112x3x10frEADGBE11xx34
A♯7sus4
EADGBE111x34
EADGBE1122xx6frEADGBE1111348frEADGBExx1324
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
D♯m9
4frEADGBE2222x1
7frEADGBExx24139frEADGBE333x1211frEADGBE111134
G♯9
EADGBE11234x
4frEADGBE1113245frEADGBExx214310frEADGBE222221
D♯/G
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
D♯7♭9
EADGBExx24
5frEADGBE11x2346frEADGBE11x349frEADGBE3241xx
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯7♭9
EADGBE11x234
4frEADGBEx12347frEADGBE3241x9frEADGBExx1324
F♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
A♯m/F
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
D♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
C♯6
EADGBEx4231x
4frEADGBE3333x16frEADGBE1114239frEADGBE11x324
F♯mMaj7
EADGBE111132
4frEADGBE11x3426frEADGBE11x42x9frEADGBE111423
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
D♯m7sus4
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342

Two for the Road in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to F# (descending major third), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to C (ascending major third), C to A# (descending whole step), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to D# (descending perfect fourth), D# to C# (descending whole step), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to A# (ascending major third), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to A# (ascending major third), A# to F (descending perfect fourth), F to D# (descending whole step), D# to C# (descending whole step). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to C by half step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 33 bars · Form: AB

Chords: Cm7♭5, F7, A♯m, A♯m/G♯, F♯Maj7, D♯m7, G♯7, Cdim7, A♯7sus4, A♯7, D♯m9, G♯9, D♯/G, C♯m7♭5, D♯7♭9, G♯m7, C♯7♭9, F♯, A♯m/F, D♯m, C♯6, F♯mMaj7, A♯m7, Fm7, D♯m7sus4, C♯.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#