Do Re MiC D E

Toy Tune

Shorter Wayne4/4medium-swing
D♯9sus4
D9sus4
B/A
Emaj9
Dm69
Cmaj9
D♯maj9
D♯9sus4
D9sus4
B/A
Emaj9
Dm69
Cmaj9
D♯maj9
E13
Cm9♭5
F7♯9♯5
A♯o^7
D♯9sus4
D9sus4
B/A
Emaj9
Dm69
Cmaj9
D♯maj9

Chord Diagrams — Toy Tune in D# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯m9
4frEADGBE111134
EADGBE11143
7frEADGBE221341
9frEADGBEx21344
Gm9
3frEADGBE111134
EADGBE2341
6frEADGBE11xx2
8frEADGBEx21344
D♯9sus4
D♯ - G♯ - A♯ - C♯ - F
D9sus4
D - G - A - C - E
B/A
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
Emaj9
6frEADGBEx2143x
EADGBE3124
EADGBE111234
9frEADGBE11xx34
Dm69
6frEADGBEx2314
2frEADGBEx421
3frEADGBEx3124
10frEADGBEx22134
Cmaj9
5frEADGBE11113
EADGBEx3
EADGBE22143x
8frEADGBE11x234
Fm9
EADGBEx1234
EADGBE111134
6frEADGBEx21344
11frEADGBE21344
D♯maj9
3frEADGBE1111x4
5frEADGBEx2143x
8frEADGBE1111x4
11frEADGBExx2314
D7alt
3frEADGBEx42x13
EADGBExx132
5frEADGBEx1234x
9frEADGBEx3412
E13
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
D♯m9
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
C♯m9
5frEADGBE222x14
EADGBEx21344
7frEADGBEx13244
9frEADGBE111134
Cm9♭5
C - D - E♭ - G♭ - B♭
F7♯9♯5
F - A - C♯ - E♭ - G♯
A♯o^7
A7alt
4frEADGBEx4312
EADGBEx123x
8frEADGBEx4132
12frEADGBEx1234x

Explore More

Toy Tune in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G (descending half step), G to D# (descending major third), D# to D (descending half step), D to B (descending minor third), B to G# (descending minor third), G# to A (ascending half step), A to E (descending perfect fourth), E to D (descending whole step), D to C (descending whole step), C to F (ascending perfect fourth), F to D# (descending whole step), D# to D (descending half step), D to E (ascending whole step), E to D# (descending half step), D# to C# (descending whole step), C# to C (descending half step), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to A (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to G# by half step.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 28 bars · Form: ABA

Chords: G♯m9, Gm9, D♯9sus4, D9sus4, B/A, G♯m7, Amaj7, Emaj9, Dm69, Cmaj9, Fm9, D♯maj9, D7alt, E13, D♯m9, C♯m9, Cm9♭5, F7♯9♯5, A♯o^7, A7alt.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#