Do Re MiC D E

Toy Tune

Shorter Wayne4/4medium-swing
A♯9sus4
A9sus4
F♯/A
Bmaj9
Am69
Gmaj9
A♯maj9
A♯9sus4
A9sus4
F♯/A
Bmaj9
Am69
Gmaj9
A♯maj9
B13
Gm9♭5
C7♯9♯5
Fo^7
A♯9sus4
A9sus4
F♯/A
Bmaj9
Am69
Gmaj9
A♯maj9

Chord Diagrams — Toy Tune in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯m9
4frEADGBEx21344
7frEADGBExx2413
9frEADGBEx13244
11frEADGBE111134
Dm9
5frEADGBEx1423
EADGBE132
3frEADGBEx21344
10frEADGBE111134
A♯9sus4
A♯ - D♯ - F - G♯ - C
A9sus4
A - D - E - G - B
F♯/A
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
Emaj7
7frEADGBE111324
EADGBE312
EADGBE333xx1
4frEADGBE111x43
Bmaj9
6frEADGBE11243x
EADGBE22143x
4frEADGBE11xx34
8frEADGBExx2143
Am69
5frEADGBE112234
4frEADGBEx24
7frEADGBE11123
10frEADGBEx31244
Gmaj9
3frEADGBExx2314
EADGBE21
EADGBE111243
9frEADGBEx2143x
Cm9
EADGBEx1243
EADGBEx21344
6frEADGBEx13244
8frEADGBE111134
A♯maj9
3frEADGBE111143
EADGBE1113x
5frEADGBE11243x
6frEADGBE112234
A7alt
4frEADGBEx4312
EADGBEx123x
8frEADGBEx4132
12frEADGBEx1234x
B13
4frEADGBE111432
EADGBE44x213
EADGBE111134
7frEADGBE111234
A♯m9
4frEADGBE113x24
2frEADGBExx2413
6frEADGBE111134
11frEADGBEx2134x
G♯m9
4frEADGBE111134
EADGBE11143
7frEADGBE221341
9frEADGBEx21344
Gm9♭5
G - A - B♭ - D♭ - F
C7♯9♯5
C - E - G♯ - B♭ - D♯
Fo^7
E7alt
2frEADGBExx1243
EADGBE132xx
5frEADGBE42x13
7frEADGBE1234

Explore More

Toy Tune in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to D (descending half step), D to A# (descending major third), A# to A (descending half step), A to F# (descending minor third), F# to D# (descending minor third), D# to E (ascending half step), E to B (descending perfect fourth), B to A (descending whole step), A to G (descending whole step), G to C (ascending perfect fourth), C to A# (descending whole step), A# to A (descending half step), A to B (ascending whole step), B to A# (descending half step), A# to G# (descending whole step), G# to G (descending half step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to E (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to D# by half step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 28 bars · Form: ABA

Chords: D♯m9, Dm9, A♯9sus4, A9sus4, F♯/A, D♯m7, Emaj7, Bmaj9, Am69, Gmaj9, Cm9, A♯maj9, A7alt, B13, A♯m9, G♯m9, Gm9♭5, C7♯9♯5, Fo^7, E7alt.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#