Summertime in G#

George Gershwin(1935)swingSlowly
Do Re MiC D E
A
B
A♯7/b
D♯m6/c
A♯7/b
A♯7/b
D♯m6/c
A♯7/b

Chord Diagrams — Summertime in G# (Guitar)

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FingerNoteDegree

Summertime in G#

Summertime in G# — Gershwin's minor blues hymn from Porgy and Bess. Dorian works over the static minor vamp; Harmonic Minor sharpens the V7 resolution; Aeolian adds natural melancholy. Changes: D#m6 – A#7/b – D#m6/c – G#m – B – BMaj7 – Adim – A# – F7 – A#m6 – A#7b5 – D#m – G#7 – F# – G# – G#m7/g – D#mMaj7 – G#9 – A#aug.

Summertime in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to A# (descending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to B (ascending minor third), B to B (ascending unison), B to A (descending whole step), A to A# (ascending half step), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to G# (ascending whole step), G# to G# (ascending unison), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to A# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to D# by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 23 bars · Form: AB

Chords: D♯m6, A♯7/b, D♯m6/c, G♯m, B, BMaj7, Adim, A♯, F7, A♯m6, A♯7♭5, D♯m, G♯7, F♯, G♯, G♯m7/g, D♯mMaj7, G♯9, A♯aug.

Scales for Improvisation G# dorian, G# aeolian, G# minor pentatonic, G# minor blues, G# harmonic minor, G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#