Summertime in E

George Gershwin(1935)swingSlowly
Do Re MiC D E
A
B
F♯7/b
Bm6/c
F♯7/b
F♯7/b
Bm6/c
F♯7/b
F♯7/b
Bm6/c
F♯7/b
F♯7/b
Em7/g

Chord Diagrams — Summertime in E (Guitar)

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Summertime in E

Summertime in E — Gershwin's minor blues hymn from Porgy and Bess. Dorian works over the static minor vamp; Harmonic Minor sharpens the V7 resolution; Aeolian adds natural melancholy. Changes: Bm6 – F#7/b – Bm6/c – Em – G – GMaj7 – Fdim – F# – C#7 – F#m6 – F#7b5 – Bm – E7 – D – E – Em7/g – BmMaj7 – E9 – F#aug.

Summertime in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to G (ascending minor third), G to G (ascending unison), G to F (descending whole step), F to F# (ascending half step), F# to C# (descending perfect fourth), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to D (descending whole step), D to E (ascending whole step), E to E (ascending unison), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to F# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to B by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 23 bars · Form: AB

Chords: Bm6, F♯7/b, Bm6/c, Em, G, GMaj7, Fdim, F♯, C♯7, F♯m6, F♯7♭5, Bm, E7, D, E, Em7/g, BmMaj7, E9, F♯aug.

Scales for Improvisation E dorian, E aeolian, E minor pentatonic, E minor blues, E harmonic minor, E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E