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Sippin' At Bells

Davis Miles4/4medium-up-swing

Chord Diagrams — Sippin' At Bells in G# (Guitar)

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Sippin' At Bells in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to C (descending half step), C to A# (descending whole step), A# to A (descending half step), A to D (ascending perfect fourth), D to C# (descending half step), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to D# (descending half step), D# to E (ascending half step), E to A (ascending perfect fourth), A to B (ascending whole step), B to E (ascending perfect fourth), E to G# (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to G# by unison.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-up-swing4/4 · 14 bars · Form: A

Chords: G♯maj7, G♯m7, C♯7, Cm7, A♯m7, Am7, D7, C♯maj7, C♯m7, F♯7, Bm7, E7, D♯7, Em7, A7, B7, Emaj7, G♯6.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#