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Sippin' At Bells

Davis Miles4/4medium-up-swing

Chord Diagrams — Sippin' At Bells in E (Guitar)

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Sippin' At Bells in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to E (ascending unison), E to A (ascending perfect fourth), A to G# (descending half step), G# to F# (descending whole step), F# to F (descending half step), F to A# (ascending perfect fourth), A# to A (descending half step), A to A (ascending unison), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to B (descending half step), B to C (ascending half step), C to F (ascending perfect fourth), F to G (ascending whole step), G to C (ascending perfect fourth), C to E (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to E by unison.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-up-swing4/4 · 14 bars · Form: A

Chords: Emaj7, Em7, A7, G♯m7, F♯m7, Fm7, A♯7, Amaj7, Am7, D7, Gm7, C7, B7, Cm7, F7, G7, Cmaj7, E6.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E