Reflections in F#

Thelonious Monk(1954)swing
Do Re MiC D E
A

Chord Diagrams — Reflections in F# (Guitar)

Display
FingerNoteDegree
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
D9
4frEADGBE222221
7frEADGBEx12349frEADGBE11234x10frEADGBE111324
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯7♭9
EADGBE11x234
4frEADGBEx12347frEADGBE3241x9frEADGBExx1324
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
D♯13♭9
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
Fm7♭5
EADGBE1x23x
EADGBE222xx18frEADGBEx1324x11frEADGBE2134x
G♯7sus4
EADGBE1122xx
4frEADGBE1111349frEADGBE11x23411frEADGBE111134
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
Gdim
EADGBE31x42x
5frEADGBExx12x38frEADGBEx12x3210frEADGBEx1243x
Adim
EADGBEx132x
3frEADGBE31x42x7frEADGBExx12x310frEADGBEx41x23
Gaugadd9add7
A♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
D♯7♯11
EADGBExx1234
5frEADGBE11x2346frEADGBE11x23x10frEADGBE111234
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
B13♯11
B - D♯ - F♯ - A - C♯ - F - G♯
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
B7♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
A♯7♯5
EADGBE11x432
6frEADGBE1x234x8frEADGBExx142312frEADGBEx213x4
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
D♯m9
4frEADGBE2222x1
7frEADGBExx24139frEADGBE333x1211frEADGBE111134
G♯7♭9
EADGBE111x2
4frEADGBE11xx235frEADGBE11xx2310frEADGBE11x234

Reflections in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to E (descending whole step), E to D# (descending half step), D# to D (descending half step), D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to A (descending major third), A to A# (ascending half step), A# to D# (ascending perfect fourth), D# to F (ascending whole step), F to G# (ascending minor third), G# to G (descending half step), G to G (ascending unison), G to A (ascending whole step), A to G (descending whole step), G to A# (ascending minor third), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to F (ascending tritone), F to B (ascending tritone), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to F# by whole step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: F♯Maj7, E7, D♯7, D9, G♯m7, C♯7♭9, Am7, A♯m7, D♯13♭9, Fm7♭5, G♯7sus4, G7, Gdim, Adim, Gaugadd9add7, A♯m7♭5, D♯7♯11, C♯7, F♯7, B13♯11, Fm7, B7♯11, A♯7♯5, D♯m7, D♯m9, G♯7♭9.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#