Reflections in D#

Thelonious Monk(1954)swing
Do Re MiC D E
A

Chord Diagrams — Reflections in D# (Guitar)

Display
FingerNoteDegree
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
D♯Maj7
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
A♯7♭9
EADGBEx123
4frEADGBE3241xx6frEADGBE111x2312frEADGBE11x234
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
C13♭9
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
Dm7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
F7sus4
EADGBE111134
6frEADGBE1112348frEADGBE11113410frEADGBE11xx34
Edim
EADGBExx12x3
5frEADGBEx41x237frEADGBEx1243x10frEADGBE31x42x
Eaugadd9add7
F♯dim
EADGBE2x31x
4frEADGBExx12x37frEADGBEx41x239frEADGBEx1243x
C7♯11
EADGBE11x234
3frEADGBE111x237frEADGBE11123410frEADGBExx1234
Gm7♭5
EADGBE3xx421
EADGBE2x341x5frEADGBE222xx110frEADGBEx1324x
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
G♯13♯11
G♯ - C - D♯ - F♯ - A♯ - D - F
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
G7♯5
EADGBE4312
EADGBE1x234x5frEADGBExx142310frEADGBE11x432
G♯7♯11
3frEADGBE2x341x
6frEADGBExx123410frEADGBE11x23411frEADGBE111x23
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
F7♭9
EADGBE111423
EADGBE11xx237frEADGBE11x23411frEADGBE3241xx
Cm9
EADGBE2222x1
EADGBEx12436frEADGBE333x128frEADGBE111134

Reflections in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through B to C (ascending half step), C to C# (ascending half step), C# to D# (ascending whole step), D# to A# (descending perfect fourth), A# to F (descending perfect fourth), F to F# (ascending half step), F# to C (ascending tritone), C to G (descending perfect fourth), G to D (descending perfect fourth), D to E (ascending whole step), E to F (ascending half step), F to E (descending half step), E to E (ascending unison), E to F# (ascending whole step), F# to C (ascending tritone), C to G (descending perfect fourth), G to A# (ascending minor third), A# to G# (descending whole step), G# to D# (descending perfect fourth), D# to G (ascending major third), G to G# (ascending half step), G# to D (ascending tritone), D to C (descending whole step), C to F (ascending perfect fourth), F to C (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to B by half step.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: B9, C7, C♯7, D♯Maj7, A♯7♭9, Fm7, F♯m7, C13♭9, Gm7, Dm7♭5, E7, F7sus4, Edim, Eaugadd9add7, F♯dim, C7♯11, Gm7♭5, A♯7, G♯13♯11, D♯7, G7♯5, G♯7♯11, Dm7, Cm7, F7♭9, Cm9.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#