Prince Albert in C#

Kenny Dorham(1955)swing
Do Re MiC D E
A
B
A7♯9♯5

Chord Diagrams — Prince Albert in C# (Guitar)

Display
FingerNoteDegree
A7♯9♯5
A - C♯ - F - G - C
G♯7♯9
EADGBE222221
4frEADGBE1144325frEADGBE44xx3110frEADGBEx2134x
C♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
F♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
A♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
D♯7♯9
EADGBExx234
5frEADGBEx2134x8frEADGBE111x2310frEADGBE2134xx
G♯Maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
G♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
Fm
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
A♯7♯9
EADGBEx123x
6frEADGBE1144327frEADGBExx213412frEADGBEx2134x
D♯Maj7
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
C7♯9
EADGBEx2134x
3frEADGBE11x328frEADGBE1113249frEADGBExx2134
A♯7♭9
EADGBEx123
4frEADGBE3241xx6frEADGBE111x2312frEADGBE11x234
Dm
EADGBExx231
5frEADGBE1113426frEADGBEx4231x10frEADGBE111134
G7♯9
EADGBE3241
3frEADGBE1144324frEADGBE44x2319frEADGBEx2134x
CMaj7
EADGBE231
3frEADGBE1113245frEADGBE111xx410frEADGBE333xx1
Am
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
Gm
EADGBE2134
3frEADGBE1111345frEADGBExx134210frEADGBE111342
B7♯9
EADGBEx2134x
5frEADGBE32417frEADGBE1144328frEADGBExx2134
D♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x

Prince Albert in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A to G# (descending half step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A# (ascending half step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to F (ascending tritone), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to C (descending minor third), C to A# (descending whole step), A# to D (ascending major third), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to A (descending minor third), A to G (descending whole step), G to B (ascending major third), B to D# (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to A by tritone.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 42 bars · Form: AB

Chords: A7♯9♯5, G♯7♯9, C♯m, F♯m, B7, EMaj7, AMaj7, A♯m, D♯7♯9, G♯Maj7, G♯m, F♯7, BMaj7, Fm, A♯7♯9, D♯Maj7, C7♯9, A♯7♭9, Dm, G7♯9, CMaj7, Am, Gm, B7♯9, D♯m7♭5.

Scales for Improvisation C# bebop minor, C# bebop.

Diatonic chords: See all chords in the key of C#