Prince Albert in E

Kenny Dorham(1955)swing
Do Re MiC D E
A
B
C7♯9♯5

Chord Diagrams — Prince Albert in E (Guitar)

Display
FingerNoteDegree
C7♯9♯5
C - E - G♯ - B♭ - D♯
B7♯9
EADGBEx2134x
5frEADGBE32417frEADGBE1144328frEADGBExx2134
Em
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
Am
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
GMaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
CMaj7
EADGBE231
3frEADGBE1113245frEADGBE111xx410frEADGBE333xx1
F♯7♯9
EADGBE222221
2frEADGBE1113243frEADGBExx21348frEADGBEx2134x
C♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
Bm
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
DMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
C♯7♯9
EADGBEx3241
3frEADGBEx2134x8frEADGBE2222x19frEADGBE111324
G♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
D♯7♯9
EADGBExx234
5frEADGBEx2134x8frEADGBE111x2310frEADGBE2134xx
C♯7♭9
EADGBE11x234
4frEADGBEx12347frEADGBE3241x9frEADGBExx1324
Fm
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
A♯7♯9
EADGBEx123x
6frEADGBE1144327frEADGBExx213412frEADGBEx2134x
D♯Maj7
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
Cm
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
A♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
D7♯9
4frEADGBEx2134x
7frEADGBE4127frEADGBE111x2310frEADGBE111324
F♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24

Prince Albert in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to B (descending half step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F# (ascending tritone), F# to C# (descending perfect fourth), C# to B (descending whole step), B to B (ascending unison), B to A (descending whole step), A to D (ascending perfect fourth), D to C# (descending half step), C# to G# (descending perfect fourth), G# to F# (descending whole step), F# to D# (descending minor third), D# to C# (descending whole step), C# to F (ascending major third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to C (descending minor third), C to A# (descending whole step), A# to D (ascending major third), D to F# (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to C by tritone.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 42 bars · Form: AB

Chords: C7♯9♯5, B7♯9, Em, Am, D7, GMaj7, CMaj7, F♯7♯9, C♯m, BMaj7, Bm, A7, DMaj7, C♯7♯9, G♯m, F♯Maj7, D♯7♯9, C♯7♭9, Fm, A♯7♯9, D♯Maj7, Cm, A♯m, D7♯9, F♯m7♭5.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E