Do Re MiC D E

Oh, What A Beautiful Mornin'

Rodgers Richard4/4waltz

Chord Diagrams — Oh, What A Beautiful Mornin' in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯6
3frEADGBE2x143x
EADGBE1111x3
6frEADGBE111x34
9frEADGBEx4231x
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
G♯maj7/B♭
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
D♯7/A♭
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
G♯6/G
6frEADGBE111x34
EADGBE1111x3
3frEADGBE2x143x
9frEADGBEx4231x
C♯6
6frEADGBE111423
EADGBEx4231x
4frEADGBE3333x1
9frEADGBE11x324
F♯dim7
8frEADGBE111234
EADGBE112x3x
EADGBE111234
4frEADGBExx1324
D♯7/D
8frEADGBE111xx2
EADGBExx1324
6frEADGBE111x34
11frEADGBE111132
Cm7♭5
8frEADGBE111234
EADGBEx1324x
4frEADGBE11xx24
10frEADGBE333xx1
F7♭9
7frEADGBE11x234
EADGBE111423
EADGBE11xx23
11frEADGBE3241xx
A♯m7
8frEADGBE11x423
EADGBE111x32
EADGBExx2314
6frEADGBE111113
C♯maj7♯11
8frEADGBE111123
EADGBEx42311
4frEADGBE11x234
9frEADGBE111234
Ddim7
7frEADGBEx2431
EADGBExx23
4frEADGBE11x234
10frEADGBE111234
G♯6/B♭
9frEADGBEx4231x
EADGBE1111x3
3frEADGBE2x143x
6frEADGBE111x34

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Oh, What A Beautiful Mornin' in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to D# (descending perfect fourth), D# to F (ascending whole step), F to E (descending half step), E to G# (ascending major third), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to D# (descending minor third), D# to C (descending minor third), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to C# (ascending minor third), C# to D (ascending half step), D to G# (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to G# by unison.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 68 bars · Form: AB

Chords: G♯6, D♯7, Fm7, E7, G♯maj7/B♭, D♯7/A♭, G♯6/G, C♯6, F♯dim7, D♯7/D, Cm7♭5, F7♭9, A♯m7, C♯maj7♯11, Ddim7, G♯6/B♭.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#