Do Re MiC D E

Oh, What A Beautiful Mornin'

Rodgers Richard4/4waltz

Chord Diagrams — Oh, What A Beautiful Mornin' in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯6
4frEADGBE3333x1
EADGBEx4231x
6frEADGBE111423
9frEADGBE11x324
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
C♯maj7/B♭
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
9frEADGBE1x342x
G♯7/A♭
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
C♯6/G
EADGBEx4231x
4frEADGBE3333x1
6frEADGBE111423
9frEADGBE11x324
F♯6
EADGBE11x324
EADGBE2x143x
4frEADGBE111x34
9frEADGBE3333x1
Bdim7
EADGBExx1324
EADGBE11x234
6frEADGBE3x142x
7frEADGBE111234
G♯7/D
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
Fm7♭5
EADGBE222xx1
EADGBE1x23x
8frEADGBEx1324x
11frEADGBE2134x
A♯7♭9
4frEADGBE3241xx
EADGBEx123
6frEADGBE111x23
12frEADGBE11x234
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
F♯maj7♯11
6frEADGBE11x423
EADGBE111123
4frEADGBE11x234
9frEADGBE11x234
Gdim7
5frEADGBExx1324
EADGBE31x42
EADGBE3x142
3frEADGBE111234
C♯6/B♭
4frEADGBE3333x1
EADGBEx4231x
6frEADGBE111423
9frEADGBE11x324

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Oh, What A Beautiful Mornin' in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to G# (descending perfect fourth), G# to A# (ascending whole step), A# to A (descending half step), A to C# (ascending major third), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to G# (descending minor third), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to F# (ascending minor third), F# to G (ascending half step), G to C# (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to C# by unison.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz4/4 · 68 bars · Form: AB

Chords: C♯6, G♯7, A♯m7, A7, C♯maj7/B♭, G♯7/A♭, C♯6/G, F♯6, Bdim7, G♯7/D, Fm7♭5, A♯7♭9, D♯m7, F♯maj7♯11, Gdim7, C♯6/B♭.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#