Do Re MiC D E

Minority

Gryce Gigi4/4up-tempo-swing

Chord Diagrams — Minority in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
BmMaj7
EADGBE111423
EADGBEx132
7frEADGBE111132
9frEADGBE11x342
Bm6
EADGBE2314
EADGBExx2314
6frEADGBE2x134x
7frEADGBE111234
C♯m9
EADGBEx21344
5frEADGBE222x14
7frEADGBEx13244
9frEADGBE111134
F♯13
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
F♯m9
EADGBE111123
EADGBE2314
7frEADGBEx21344
10frEADGBExx2413
B13
EADGBE111134
EADGBE44x213
4frEADGBE111432
7frEADGBE111234
Em9
EADGBE1243
EADGBE24
5frEADGBEx21344
10frEADGBE11324
A13
EADGBEx123
3frEADGBE4231
5frEADGBE111324
11frEADGBE44x213
Dm9
EADGBE132
3frEADGBEx21344
5frEADGBEx1423
10frEADGBE111134
G13
EADGBE321
3frEADGBE11x234
3frEADGBE111324
9frEADGBEx21334
Cm9
EADGBEx21344
EADGBEx1243
6frEADGBEx13244
8frEADGBE111134
F13
EADGBE111324
EADGBE111234
7frEADGBE44x213
8frEADGBE111134
F♯7♭13
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134

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Minority in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to B (ascending unison), B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F# (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to B by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

up-tempo-swing4/4 · 16 bars · Form: A

Chords: BmMaj7, Bm6, C♯m9, F♯13, F♯m9, B13, Em9, A13, Dm9, G13, Cm9, F13, F♯7♭13.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B