Do Re MiC D E

Minority

Gryce Gigi4/4up-tempo-swing

Chord Diagrams — Minority in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
AmMaj7
5frEADGBE111132
EADGBEx312
7frEADGBE11x342
9frEADGBE11x42x
Am6
5frEADGBE111234
EADGBEx2314
4frEADGBE2x1334
7frEADGBE111x32
Bm9
7frEADGBE111134
EADGBEx1234
3frEADGBE222x14
10frEADGBE112234
E13
7frEADGBE111134
EADGBE213
EADGBE123
5frEADGBE1342
Em9
5frEADGBEx21344
EADGBE24
EADGBE1243
10frEADGBE11324
A13
5frEADGBE111324
EADGBEx123
3frEADGBE4231
11frEADGBE44x213
Dm9
5frEADGBEx1423
EADGBE132
3frEADGBEx21344
10frEADGBE111134
G13
3frEADGBE11x234
EADGBE321
3frEADGBE111324
9frEADGBEx21334
Cm9
EADGBEx1243
EADGBEx21344
6frEADGBEx13244
8frEADGBE111134
F13
EADGBE111324
EADGBE111234
7frEADGBE44x213
8frEADGBE111134
A♯m9
2frEADGBExx2413
4frEADGBE113x24
6frEADGBE111134
11frEADGBEx2134x
D♯13
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
E7♭13
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2

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Minority in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A (ascending unison), A to B (ascending whole step), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to E (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

up-tempo-swing4/4 · 16 bars · Form: A

Chords: AmMaj7, Am6, Bm9, E13, Em9, A13, Dm9, G13, Cm9, F13, A♯m9, D♯13, E7♭13.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A