Do Re MiC D E

Minor Strain

Timmons Bobby4/4medium-swing
Cm11
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%
%
%
%
%
%
A♯m11
%
%
%
A♯m11
%
%
%
%
F/D
Gm7/D
G♯dim/D
Am7/D

Chord Diagrams — Minor Strain in F (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cm11
EADGBE1111x2
EADGBE11x234
6frEADGBE111342
8frEADGBE111114
A♯m11
4frEADGBE111342
6frEADGBE111114
8frEADGBE11xx23
11frEADGBE11x234
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
F/D
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
Gm7/D
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
G♯dim/D
6frEADGBExx12x3
EADGBE31x42x
9frEADGBEx41x23
11frEADGBEx1243x
Am7/D
7frEADGBE11x423
EADGBEx21
EADGBEx2314
5frEADGBE111113

Explore More

Minor Strain in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through C to A# (descending whole step), A# to F (descending perfect fourth), F to G# (ascending minor third), G# to C# (ascending perfect fourth), C# to G (ascending tritone), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to G (ascending whole step), G to G# (ascending half step), G# to A (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to C by minor third.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 24 bars · Form: AB

Chords: Cm11, A♯m11, Fm7, G♯m7, C♯7, Gm7, C7, F/D, Gm7/D, G♯dim/D, Am7/D.

Scales for Improvisation F bebop, F bebop major.

Diatonic chords: See all chords in the key of F