Do Re MiC D E

Minor Strain

Timmons Bobby4/4medium-swing
Em11
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Dm11
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Dm11
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A/D
Bm7/D
Cdim/D
C♯m7/D

Chord Diagrams — Minor Strain in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Em11
3frEADGBE321
EADGBE1
5frEADGBE11x234
10frEADGBE111342
Dm11
3frEADGBE11x234
EADGBE11xx
8frEADGBE111342
10frEADGBE111114
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
A/D
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
Bm7/D
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
Cdim/D
6frEADGBE31x42x
EADGBEx41x23
3frEADGBEx1243x
10frEADGBExx12x3
C♯m7/D
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423

Explore More

Minor Strain in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to D (descending whole step), D to A (descending perfect fourth), A to C (ascending minor third), C to F (ascending perfect fourth), F to B (ascending tritone), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to B (ascending whole step), B to C (ascending half step), C to C# (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to E by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 24 bars · Form: AB

Chords: Em11, Dm11, Am7, Cm7, F7, Bm7, E7, A/D, Bm7/D, Cdim/D, C♯m7/D.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A