Love Is Here to Stay in C

George Gershwin / Ira Gershwin(1938)swing
Do Re MiC D E
A
D♯dim/G
G9/D
C9/E

Chord Diagrams — Love Is Here to Stay in C (Guitar)

Display
FingerNoteDegree
C6
EADGBEx4231
3frEADGBE3333x17frEADGBE2x143x8frEADGBE11x324
D♯dim/G
EADGBExx12x3
4frEADGBEx41x236frEADGBEx1243x9frEADGBE31x42x
CMaj7
EADGBE231
3frEADGBE1113245frEADGBE111xx410frEADGBE333xx1
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
Adim7
EADGBEx1324
4frEADGBE112x3x5frEADGBE1112347frEADGBE11x34
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
C♯dim7
EADGBExx1324
3frEADGBE11x2348frEADGBE112x3x11frEADGBExx1324
G9/D
9frEADGBE222221
EADGBE31EADGBE11234x3frEADGBE111324
G9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
C6/E
EADGBEx4231
3frEADGBE3333x17frEADGBE2x143x8frEADGBE11x324
D♯dim7
EADGBExx1324
5frEADGBE11x2347frEADGBExx132410frEADGBE112x3x
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
FMaj7
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
C9/E
EADGBE222221
7frEADGBE1123447frEADGBE1113249frEADGBExx2143
D9
4frEADGBE222221
7frEADGBEx12349frEADGBE11234x10frEADGBE111324
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x7frEADGBE1112349frEADGBE222xx1
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423

Love Is Here to Stay in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to D# (ascending minor third), D# to C (descending minor third), C to A (descending minor third), A to A (ascending unison), A to D (ascending perfect fourth), D to C# (descending half step), C# to G (ascending tritone), G to G (ascending unison), G to C (ascending perfect fourth), C to D# (ascending minor third), D# to G (ascending major third), G to F (descending whole step), F to E (descending half step), E to C (descending major third), C to D (ascending whole step), D to B (descending minor third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to F (descending major third), F to A# (ascending perfect fourth), A# to F# (descending major third), F# to B (ascending perfect fourth), B to A (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to C by minor third.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 51 bars · Form: A

Chords: C6, D♯dim/G, CMaj7, A9, Adim7, Dm7, C♯dim7, G9/D, G9, C6/E, D♯dim7, G7, FMaj7, Em7, C9/E, D9, Bm7♭5, E7, A, D7, A7, F7, A♯7, F♯m7, B7, Am7.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C