Love Is Here to Stay in D

George Gershwin / Ira Gershwin(1938)swing
Do Re MiC D E
A

Chord Diagrams — Love Is Here to Stay in D (Guitar)

Display
FingerNoteDegree
D6
EADGBExx23
3frEADGBEx4231x5frEADGBE3333x17frEADGBE111134
Fdim/A
EADGBExx12x3
6frEADGBEx41x238frEADGBEx1243x11frEADGBE31x42x
DMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
Bdim7
EADGBE11x234
EADGBExx13246frEADGBE3x142x7frEADGBE111234
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
D♯dim7
EADGBExx1324
5frEADGBE11x2347frEADGBExx132410frEADGBE112x3x
A9/E
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
D6/F♯
EADGBExx23
3frEADGBEx4231x5frEADGBE3333x17frEADGBE111134
Fdim7
EADGBE1x23
EADGBE11xx347frEADGBE11123412frEADGBE3x142x
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
GMaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
D9/F♯
4frEADGBE222221
7frEADGBEx12349frEADGBE11234x10frEADGBE111324
E9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423

Love Is Here to Stay in D

Key of D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to F (ascending minor third), F to D (descending minor third), D to B (descending minor third), B to B (ascending unison), B to E (ascending perfect fourth), E to D# (descending half step), D# to A (ascending tritone), A to A (ascending unison), A to D (ascending perfect fourth), D to F (ascending minor third), F to A (ascending major third), A to G (descending whole step), G to F# (descending half step), F# to D (descending major third), D to E (ascending whole step), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to G (descending major third), G to C (ascending perfect fourth), C to G# (descending major third), G# to C# (ascending perfect fourth), C# to B (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to D by minor third.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 51 bars · Form: A

Chords: D6, Fdim/A, DMaj7, B9, Bdim7, Em7, D♯dim7, A9/E, A9, D6/F♯, Fdim7, A7, GMaj7, F♯m7, D9/F♯, E9, C♯m7♭5, F♯7, B, E7, B7, G7, C7, G♯m7, C♯7, Bm7.

Scales for Improvisation D bebop, D bebop major.

Diatonic chords: See all chords in the key of D