Lotus Blossom in F#

Billy Strayhorn(1947)swing
Do Re MiC D E
A
B
F♯Maj7/A♯
F♯Maj7/A♯
D♯7♯5
F♯Maj7/A♯
C♯13
C♯13♭9
C♭9♯11
F♯Maj7/C♯
F♯dim/C♯
F♯Maj7/C♯
F♯dim/C♯
F♯Maj7/C♯
D9♯11
F♯Maj7/A♯
F♯Maj7/A♯
D♯7♯5
F♯Maj7/A♯
C♯7/B
F♯Maj7/A♯

Chord Diagrams — Lotus Blossom in F# (Guitar)

Display
FingerNoteDegree
F♯Maj7/A♯
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
Am6
EADGBEx2314
4frEADGBE2222x15frEADGBE1112347frEADGBE111x32
G♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
Cm7♭5
EADGBEx1324x
4frEADGBE11xx248frEADGBE11123410frEADGBE333xx1
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x7frEADGBE1112349frEADGBE222xx1
A♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
D♯7♯5
EADGBExx1423
6frEADGBE11x4329frEADGBE324111frEADGBE1x234x
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
Bm6
EADGBE2314
EADGBExx23146frEADGBE2x134x7frEADGBE111234
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
C♯13♭9
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
B9♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
D♯7♭9
EADGBExx24
5frEADGBE11x2346frEADGBE11x349frEADGBE3241xx
G♯m6
EADGBE2x134x
4frEADGBE1112346frEADGBE111x329frEADGBE11x324
F♯Maj7/C♯
4frEADGBE11x333
EADGBE1114236frEADGBE111x439frEADGBE111324
F♯dim/C♯
EADGBE2x31x
4frEADGBExx12x37frEADGBEx41x239frEADGBEx1243x
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
D9♯11
EADGBExx123
4frEADGBE11x2347frEADGBEx31429frEADGBE111234
C♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143
C♯7/B
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132

Lotus Blossom in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to A (ascending minor third), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to C (descending half step), C to B (descending half step), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to B (ascending minor third), B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to C# (descending perfect fourth), C# to Cb (descending half step), Cb to D# (ascending minor third), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to F# (ascending unison), F# to A# (ascending major third), A# to D# (ascending perfect fourth), D# to D (descending half step), D to C# (descending half step), C# to C# (ascending unison), C# to D# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D# to F# by minor third.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing3/4 · 60 bars · Form: AB

Chords: F♯Maj7/A♯, Am6, G♯m7♭5, C♯7, Cm7♭5, Bm7♭5, A♯m7♭5, D♯7♯5, G♯m7, Bm6, C♯13, F♯Maj7, C♯13♭9, C♭9♯11, D♯7♭9, G♯m6, F♯Maj7/C♯, F♯dim/C♯, A♯7, D♯m7, D9♯11, C♯9, C♯7/B, D♯7.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#