Lotus Blossom in C#

Billy Strayhorn(1947)waltz
Do Re MiC D E
A
B
C♯Maj7/F
C♯Maj7/F
A♯7♯5
C♯Maj7/F
G♯13
G♯13♭9
C♭9♯11
C♯Maj7/G♯
C♯dim/G♯
C♯Maj7/G♯
C♯dim/G♯
C♯Maj7/G♯
A9♯11
C♯Maj7/F
C♯Maj7/F
A♯7♯5
C♯Maj7/F
G♯7/F♯
C♯Maj7/F

Chord Diagrams — Lotus Blossom in C# (Guitar)

Display
FingerNoteDegree
C♯Maj7/F
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
Em6
EADGBE123
EADGBE111325frEADGBE11x3248frEADGBExx2314
D♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
F♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
Gm7♭5
EADGBE3xx421
EADGBE2x341x5frEADGBE222xx110frEADGBEx1324x
Fm7♭5
EADGBE1x23x
EADGBE222xx18frEADGBEx1324x11frEADGBE2134x
A♯7♯5
EADGBE11x432
6frEADGBE1x234x8frEADGBExx142312frEADGBEx213x4
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
F♯m6
EADGBE2222x1
4frEADGBE111x327frEADGBE11x3248frEADGBEx2413x
G♯13
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213
C♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
G♯13♭9
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213
B9♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
A♯7♭9
EADGBEx123
4frEADGBE3241xx6frEADGBE111x2312frEADGBE11x234
D♯m6
EADGBE111x32
4frEADGBE11x3247frEADGBExx231411frEADGBE111234
C♯Maj7/G♯
4frEADGBE111324
EADGBE111x436frEADGBE11xxx39frEADGBE1x342x
C♯dim/G♯
EADGBEx41x23
4frEADGBEx1243x7frEADGBE31x42x11frEADGBExx12x3
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
A9♯11
EADGBEx13
4frEADGBE1112347frEADGBExx123411frEADGBE11x234
G♯9
EADGBE11234x
4frEADGBE1113245frEADGBExx214310frEADGBE222221
G♯7/F♯
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x

Lotus Blossom in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to E (ascending minor third), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to G (ascending half step), G to F (descending whole step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to F# (ascending minor third), F# to G# (ascending whole step), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to Cb (ascending major third), Cb to A# (descending whole step), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to C# (ascending unison), C# to A# (descending minor third), A# to F (descending perfect fourth), F to A (ascending major third), A to G# (descending half step), G# to G# (ascending unison), G# to A# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to C# by minor third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

waltz3/4 · 60 bars · Form: AB

Chords: C♯Maj7/F, Em6, D♯m7♭5, G♯7, F♯m7♭5, Gm7♭5, Fm7♭5, A♯7♯5, D♯m7, F♯m6, G♯13, C♯Maj7, G♯13♭9, C♭9♯11, A♯7♭9, D♯m6, C♯Maj7/G♯, C♯dim/G♯, A♯m7, F7, A9♯11, G♯9, G♯7/F♯, A♯7.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#