Do Re MiC D E

Li'l Darlin'

Neal Hefti / Jon Hendricks(1957)2/2ballad

Chord Diagrams — Li'l Darlin' in B (Guitar)

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Li'l Darlin' in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to B (ascending minor third), B to D# (ascending major third), D# to B (descending major third), B to E (ascending perfect fourth), E to E (ascending unison), E to B (descending perfect fourth), B to B (ascending unison), B to G# (descending minor third), G# to D# (descending perfect fourth), D# to F# (ascending minor third), F# to C# (descending perfect fourth), C# to F# (ascending perfect fourth), F# to G# (ascending whole step). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to C# by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 32 bars · Form: A

Chords: C♯9, F♯7♭9, F♯7sus4, D♯m7, G♯7♭9, B13, D♯6, Baug7, Em6, E6, B9, B6, G♯7♭9♯11, D♯m7♭5, F♯9, C♯m7, F♯9sus4, G♯7.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B