Do Re MiC D E

Li'l Darlin'

Neal Hefti / Jon Hendricks(1957)2/2ballad

Chord Diagrams — Li'l Darlin' in A# (Guitar)

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Li'l Darlin' in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C to F (ascending perfect fourth), F to F (ascending unison), F to D (descending minor third), D to G (ascending perfect fourth), G to A# (ascending minor third), A# to D (ascending major third), D to A# (descending major third), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to A# (ascending unison), A# to G (descending minor third), G to D (descending perfect fourth), D to F (ascending minor third), F to C (descending perfect fourth), C to F (ascending perfect fourth), F to G (ascending whole step). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to C by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 32 bars · Form: A

Chords: C9, F7♭9, F7sus4, Dm7, G7♭9, A♯13, D6, A♯aug7, D♯m6, D♯6, A♯9, A♯6, G7♭9♯11, Dm7♭5, F9, Cm7, F9sus4, G7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#