Do Re MiC D E

I'll Remember April

Don Raye, Gene De Paul, Pat Johnson(1942)2/2swingModerately

Chord Diagrams — I'll Remember April in D (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Em7♭5
7frEADGBEx1324x
EADGBE33312
8frEADGBE11xx24
11frEADGBE2x341x
A7
7frEADGBEx1324
EADGBEx23
EADGBE111x2
5frEADGBE111132
A7/c
7frEADGBEx1324
EADGBEx23
EADGBE111x2
5frEADGBE111132
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
B9
8frEADGBExx2143
EADGBEx21334
4frEADGBE111432
7frEADGBE111324
Em7
8frEADGBExx2314
EADGBE2
EADGBE11423
7frEADGBE111132
A7♭9
6frEADGBE11xx23
EADGBE11x23
5frEADGBE111423
11frEADGBE11x234
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
D♯Maj7
6frEADGBE111324
EADGBE11333x
3frEADGBE111x43
8frEADGBE111xx4
D69
4frEADGBE11x234
2frEADGBEx431
9frEADGBE111234
11frEADGBEx22134
D6
3frEADGBEx4231x
EADGBExx23
5frEADGBE3333x1
7frEADGBE111134
G9
3frEADGBE111324
EADGBE31
EADGBE11234x
9frEADGBE221334
CMaj7
3frEADGBE111324
EADGBE231
5frEADGBE111xx4
10frEADGBE333xx1
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
DMaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
FMaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
F6
6frEADGBEx4231x
EADGBE11x324
3frEADGBE111x34
8frEADGBE113333
Em11
5frEADGBE11x234
EADGBE1
3frEADGBE321
10frEADGBE111342
C♯m11
7frEADGBE111342
EADGBE111x23
9frEADGBE111114
11frEADGBE11xx23
F♯9
8frEADGBE221334
EADGBE111324
3frEADGBExx2143
11frEADGBE1111x2
BMaj7
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
B6
7frEADGBE1x324x
EADGBEx312x
EADGBE3333x1
9frEADGBE11xx34

Explore More

I'll Remember April in D

I'll Remember April in D: this pop standard turned jazz vehicle moves from a bright major opening to minor mid-section. Bebop Major and Dorian cover the two contrasting tonal areas — Mixolydian drives the dominant passages throughout. Chords: Em7b5 – A7 – A7/c – F#m7 – B9 – Em7 – A7b9 – D – D#Maj7 – D69 – D6 – G9 – CMaj7 – Bm7 – E7 – DMaj7 – Gm7 – C7 – FMaj7 – Dm7 – F6 – Em11 – C#m11 – F#9 – BMaj7 – B6.

Key of D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to A (ascending perfect fourth), A to A (ascending unison), A to F# (descending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D# (ascending half step), D# to D (descending half step), D to D (ascending unison), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to B (descending half step), B to E (ascending perfect fourth), E to D (descending whole step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to D (descending minor third), D to F (ascending minor third), F to E (descending half step), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 54 bars · Form: ABA

Chords: Em7♭5, A7, A7/c, F♯m7, B9, Em7, A7♭9, D, D♯Maj7, D69, D6, G9, CMaj7, Bm7, E7, DMaj7, Gm7, C7, FMaj7, Dm7, F6, Em11, C♯m11, F♯9, BMaj7, B6.

Scales for Improvisation D bebop, D bebop major.

Diatonic chords: See all chords in the key of D