Do Re MiC D E

I'll Remember April

Don Raye, Gene De Paul, Pat Johnson(1942)2/2swingModerately

Chord Diagrams — I'll Remember April in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯m7♭5
6frEADGBEx1324x
EADGBE222xx1
7frEADGBE11xx24
10frEADGBE2x341x
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
G♯7/c
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
Fm7
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314
A♯9
6frEADGBE111324
EADGBEx1234
5frEADGBE11234x
12frEADGBEx21333
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯7♭9
5frEADGBE11xx23
EADGBE111x2
4frEADGBE11xx23
10frEADGBE11x234
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
DMaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
C♯69
EADGBE11x234
EADGBE11x432
8frEADGBE111234
10frEADGBExx2134
C♯6
EADGBEx4231x
4frEADGBE3333x1
6frEADGBE111423
9frEADGBE11x324
F♯9
EADGBE111324
3frEADGBExx2143
8frEADGBE221334
11frEADGBE1111x2
BMaj7
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
C♯Maj7
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
9frEADGBE1x342x
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
EMaj7
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
E6
5frEADGBEx4231x
EADGBE2314
EADGBE11134
7frEADGBE3333x1
D♯m11
4frEADGBE11x234
EADGBE11xx34
9frEADGBE111342
11frEADGBE111114
Cm11
6frEADGBE111342
EADGBE11x234
EADGBE1111x2
8frEADGBE111114
F9
7frEADGBE221334
EADGBE111324
EADGBExx2143
10frEADGBE1111x2
A♯Maj7
6frEADGBE111423
EADGBE11x324
3frEADGBE111xx4
8frEADGBE11333x
A♯6
6frEADGBE113x24
EADGBE3333x1
5frEADGBE2134
10frEADGBEx4231x

Explore More

I'll Remember April in C#

I'll Remember April in C#: this pop standard turned jazz vehicle moves from a bright major opening to minor mid-section. Bebop Major and Dorian cover the two contrasting tonal areas — Mixolydian drives the dominant passages throughout. Chords: D#m7b5 – G#7 – G#7/c – Fm7 – A#9 – D#m7 – G#7b9 – C# – DMaj7 – C#69 – C#6 – F#9 – BMaj7 – A#m7 – D#7 – C#Maj7 – F#m7 – B7 – EMaj7 – C#m7 – E6 – D#m11 – Cm11 – F9 – A#Maj7 – A#6.

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to D (ascending half step), D to C# (descending half step), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to C# (descending minor third), C# to E (ascending minor third), E to D# (descending half step), D# to C (descending minor third), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to D# by perfect fourth.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 54 bars · Form: ABA

Chords: D♯m7♭5, G♯7, G♯7/c, Fm7, A♯9, D♯m7, G♯7♭9, C♯, DMaj7, C♯69, C♯6, F♯9, BMaj7, A♯m7, D♯7, C♯Maj7, F♯m7, B7, EMaj7, C♯m7, E6, D♯m11, Cm11, F9, A♯Maj7, A♯6.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#