Honeysuckle Rose in E

Thomas 'Fats' Waller(1929)swingMedium, with a lift
Do Re MiC D E
A
A
B
A

Chord Diagrams — Honeysuckle Rose in E (Guitar)

Display
FingerNoteDegree

Honeysuckle Rose in E

Fats Waller's quintessential swing standard moves through clean ii-V motion, making it a textbook vehicle for Dorian, Mixolydian, and Bebop Major fluency in E. The buoyant groove rewards rhythmic confidence and melodic directness over harmonic complexity. Mastering the F#m7 – B7 – E – C#m7 – G#m7b5 – C#7b9 – E7 – Bm7 – Edim – A – E9 – F9 – F#7 – F#dim – G9 – F#9 changes builds ii-V vocabulary that transfers to virtually every standard in the repertoire.

Honeysuckle Rose in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to C# (descending minor third), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to E (ascending minor third), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to E (descending perfect fourth), E to F (ascending half step), F to F# (ascending half step), F# to F# (ascending unison), F# to G (ascending half step), G to F# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to F# by unison.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 32 bars · Form: AABA

Chords: F♯m7, B7, E, C♯m7, G♯m7♭5, C♯7♭9, E7, Bm7, Edim, A, E9, F9, F♯7, F♯dim, G9, F♯9.

Scales for Improvisation E dorian, E mixolydian, E major, E bebop major, E major pentatonic.

Diatonic chords: See all chords in the key of E