Honeysuckle Rose in A#

Thomas 'Fats' Waller(1929)swingMedium, with a lift
Do Re MiC D E
A
A
B
A

Chord Diagrams — Honeysuckle Rose in A# (Guitar)

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Honeysuckle Rose in A#

Fats Waller's quintessential swing standard moves through clean ii-V motion, making it a textbook vehicle for Dorian, Mixolydian, and Bebop Major fluency in A#. The buoyant groove rewards rhythmic confidence and melodic directness over harmonic complexity. Mastering the Cm7 – F7 – A# – Gm7 – Dm7b5 – G7b9 – A#7 – Fm7 – A#dim – D# – A#9 – B9 – C7 – Cdim – C#9 – C9 changes builds ii-V vocabulary that transfers to virtually every standard in the repertoire.

Honeysuckle Rose in A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to G (descending minor third), G to D (descending perfect fourth), D to G (ascending perfect fourth), G to A# (ascending minor third), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to A# (descending perfect fourth), A# to B (ascending half step), B to C (ascending half step), C to C (ascending unison), C to C# (ascending half step), C# to C (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to C by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 32 bars · Form: AABA

Chords: Cm7, F7, A♯, Gm7, Dm7♭5, G7♭9, A♯7, Fm7, A♯dim, D♯, A♯9, B9, C7, Cdim, C♯9, C9.

Scales for Improvisation A# dorian, A# mixolydian, A# major, A# bebop major, A# major pentatonic.

Diatonic chords: See all chords in the key of A#