Do Re MiC D E

Here's To Life

Butler Artie4/4ballad
G7sus4
Fmaj9
E7♭9♯5
%
G7sus4
Fmaj9
E7♭9♯5
%
Bm7♭5/A♭
A7/B♭
Bm7♭5/A♭
A7sus4
%
G7sus4
Fmaj9
E7♭9♯5
%
G7sus4
Fmaj9
E7♭9♯5
%
Bm7♭5/A♭
A7/B♭
Bm7♭5/A♭
A7sus4
%
G9/A♭
G7sus4
Am7/B♭

Chord Diagrams — Here's To Life in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
G7sus4
3frEADGBE111134
EADGBE1123
8frEADGBE11x234
10frEADGBE111134
G9
3frEADGBE111324
EADGBE31
EADGBE11234x
9frEADGBE221334
Cmaj7
3frEADGBE111324
EADGBE231
5frEADGBE111xx4
10frEADGBE333xx1
Fmaj9
EADGBExx2314
EADGBE132
7frEADGBEx2143x
10frEADGBE11xx34
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x
7frEADGBE111234
9frEADGBE222xx1
E7♭9♯5
E - G♯ - C - D - F
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
Amaj7
EADGBEx213
EADGBE111x4
5frEADGBE111423
7frEADGBE333x1
Fmaj7
EADGBE111423
EADGBExx321
3frEADGBE11x333
8frEADGBE111324
Bm7♭5/A♭
EADGBEx1324x
6frEADGBE2x341x
7frEADGBE111234
9frEADGBE222xx1
A7/B♭
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
A7sus4
EADGBEx23
5frEADGBE111134
7frEADGBEx1324
10frEADGBE11x234
G9/A♭
EADGBE11234x
EADGBE31
3frEADGBE111324
9frEADGBE221334
G♯dim7
EADGBE112x34
EADGBExx12
6frEADGBExx1324
10frEADGBE111234
Am7/B♭
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
F♯7♭5
EADGBE2x341x
4frEADGBExx1234
7frEADGBE11x243
9frEADGBE11x23
Am9
EADGBEx2413
5frEADGBE111134
8frEADGBE132
10frEADGBEx21344

Explore More

Here's To Life in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to B (ascending tritone), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to F (descending major third), F to B (ascending tritone), B to A (descending whole step), A to A (ascending unison), A to G (descending whole step), G to G# (ascending half step), G# to A (ascending half step), A to G (descending whole step), G to F# (descending half step), F# to A (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from A to D by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 68 bars · Form: AABCD

Chords: Dm7, G7sus4, G9, Cmaj7, Fmaj9, Bm7♭5, E7♭9♯5, Am7, Amaj7, Fmaj7, Bm7♭5/A♭, A7/B♭, A7sus4, G9/A♭, G♯dim7, Am7/B♭, Gm7, F♯7♭5, Am9.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A