Do Re MiC D E

Here's To Life

Butler Artie4/4ballad
G♯7sus4
F♯maj9
F7♭9♯5
%
G♯7sus4
F♯maj9
F7♭9♯5
%
Cm7♭5/A♭
A♯7/B♭
Cm7♭5/A♭
A♯7sus4
%
G♯7sus4
F♯maj9
F7♭9♯5
%
G♯7sus4
F♯maj9
F7♭9♯5
%
Cm7♭5/A♭
A♯7/B♭
Cm7♭5/A♭
A♯7sus4
%
G♯9/A♭
G♯7sus4
A♯m7/B♭

Chord Diagrams — Here's To Life in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯7sus4
4frEADGBE111134
EADGBE1122xx
9frEADGBE11x234
11frEADGBE111134
G♯9
4frEADGBE111324
EADGBE11234x
5frEADGBExx2143
10frEADGBE221334
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
F♯maj9
3frEADGBExx2143
EADGBE111243
EADGBE11x234
8frEADGBE22143x
Cm7♭5
4frEADGBE11xx24
EADGBEx1324x
8frEADGBE111234
10frEADGBE333xx1
F7♭9♯5
F - A - C♯ - E♭ - G♭
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
A♯maj7
6frEADGBE111423
EADGBE11x324
3frEADGBE111xx4
8frEADGBE11333x
F♯maj7
6frEADGBE111x43
EADGBE111423
4frEADGBE11x333
9frEADGBE111324
Cm7♭5/A♭
8frEADGBE111234
EADGBEx1324x
4frEADGBE11xx24
10frEADGBE333xx1
A♯7/B♭
8frEADGBE11x324
EADGBE111x34
6frEADGBE111132
11frEADGBEx3241x
A♯7sus4
8frEADGBExx1324
EADGBE111x34
EADGBE1122xx
6frEADGBE111134
G♯9/A♭
10frEADGBE221334
EADGBE11234x
4frEADGBE111324
5frEADGBExx2143
Adim7
7frEADGBE11x34
EADGBEx1324
4frEADGBE112x3x
5frEADGBE111234
A♯m7/B♭
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
G7♭5
5frEADGBExx1234
EADGBE2x341x
9frEADGBEx3142
10frEADGBE11x23x
A♯m9
6frEADGBE111134
2frEADGBExx2413
4frEADGBE113x24
11frEADGBEx2134x

Explore More

Here's To Life in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to F# (descending major third), F# to C (ascending tritone), C to A# (descending whole step), A# to A# (ascending unison), A# to G# (descending whole step), G# to A (ascending half step), A to A# (ascending half step), A# to G# (descending whole step), G# to G (descending half step), G to A# (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from A# to D# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 68 bars · Form: AABCD

Chords: D♯m7, G♯7sus4, G♯9, C♯maj7, F♯maj9, Cm7♭5, F7♭9♯5, A♯m7, A♯maj7, F♯maj7, Cm7♭5/A♭, A♯7/B♭, A♯7sus4, G♯9/A♭, Adim7, A♯m7/B♭, G♯m7, G7♭5, A♯m9.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#