Evidence in Sol#

Thelonious Monk(1948)swingMedium

Evidence in Sol#

Monk's angular bebop composition — built on the "Just You, Just Me" changes — deploys Bebop Major, Mixolydian, and Dorian language through a distinctly personal G# lens. The rhythmic displacement and melodic chromaticism challenge conventional bebop phrasing patterns. The G#Maj7 – Fm7 – A#m7 – D#7 – C#7 – F#7 – B7 changes sharpen a soloist's sense of metric flexibility and harmonic surprise.

Evidence in Sol#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to F (descending minor third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to G# by minor third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: Sol♯Maj7, Fam7, La♯m7, Re♯7, Do♯7, Fa♯7, Si7.

Scales for Improvisation Sol# major, Sol# mixolydian, Sol# dorian, Sol# bebop major, Sol# major pentatonic.