Evidence in Sol

Thelonious Monk(1948)swingMedium

Evidence in Sol

Monk's angular bebop composition — built on the "Just You, Just Me" changes — deploys Bebop Major, Mixolydian, and Dorian language through a distinctly personal G lens. The rhythmic displacement and melodic chromaticism challenge conventional bebop phrasing patterns. The GMaj7 – Em7 – Am7 – D7 – C7 – F7 – A#7 changes sharpen a soloist's sense of metric flexibility and harmonic surprise.

Evidence in Sol

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to E (descending minor third), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to C (descending whole step), C to F (ascending perfect fourth), F to A# (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to G by minor third.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: SolMaj7, Mim7, Lam7, Re7, Do7, Fa7, La♯7.

Scales for Improvisation Sol major, Sol mixolydian, Sol dorian, Sol bebop major, Sol major pentatonic.