Do Re MiC D E

Epilogue

Evans Bill4/4medium-swing
B/D
G♯/B♭
F♯/F
D♯7/D
G♯m/B♭
%
%
B/G
B/B♭
D♯add9/B
%

Chord Diagrams — Epilogue in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
B/D
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
G♯/B♭
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
Emaj7
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
B/G
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
F♯/F
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
D♯7/D
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
G♯m/B♭
6frEADGBExx1342
4frEADGBE111134
7frEADGBExx3241
11frEADGBE111342
D♯m7
7frEADGBExx2314
EADGBExx1423
6frEADGBE111132
11frEADGBE111114
G♯sus4
6frEADGBE11x234
EADGBE11xx24
4frEADGBE111234
11frEADGBE111234
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
B/B♭
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
D♯add9/B
5frEADGBEx2134
3frEADGBE11x324
10frEADGBE31x24x
11frEADGBExx3214

Explore More

Epilogue in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to B (ascending unison), B to G# (descending minor third), G# to G# (ascending unison), G# to E (descending major third), E to B (descending perfect fourth), B to F# (descending perfect fourth), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to B (ascending minor third), B to D# (ascending major third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to B by major third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 16 bars · Form: A

Chords: B, B/D, G♯m, G♯/B♭, Emaj7, B/G, F♯/F, D♯7/D, G♯m/B♭, D♯m7, G♯sus4, G♯m7, B/B♭, D♯add9/B.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B