Do Re MiC D E

Epilogue

Evans Bill4/4medium-swing
A♯/D
G/B♭
A♯/G
F/F
D7/D
Gm/B♭
%
%
A♯/G
A♯/B♭
Dadd9/B
%

Chord Diagrams — Epilogue in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
A♯/D
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Gm
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
G/B♭
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
D♯maj7
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
A♯/G
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
F/F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
D7/D
3frEADGBEx3241x
EADGBExx213
5frEADGBE111134
10frEADGBE111132
Gm/B♭
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Gsus4
5frEADGBE1144x3
EADGBE2314
3frEADGBE111234
10frEADGBE111234
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
A♯/B♭
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
Dadd9/B
5frEADGBEx1234
2frEADGBE11x324
7frEADGBExx314
10frEADGBExx3214

Explore More

Epilogue in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to A# (ascending unison), A# to G (descending minor third), G to G (ascending unison), G to D# (descending major third), D# to A# (descending perfect fourth), A# to F (descending perfect fourth), F to D (descending minor third), D to G (ascending perfect fourth), G to D (descending perfect fourth), D to G (ascending perfect fourth), G to G (ascending unison), G to A# (ascending minor third), A# to D (ascending major third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to A# by major third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 16 bars · Form: A

Chords: A♯, A♯/D, Gm, G/B♭, D♯maj7, A♯/G, F/F, D7/D, Gm/B♭, Dm7, Gsus4, Gm7, A♯/B♭, Dadd9/B.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#