Elizete in C

Clare Fisher()swing
Do Re MiC D E
A
B
Cmadd2
D♯Maj7/A♯
G♯69
F♯Maj9
A♯13♯11
D♯Maj13
G7sus4/D
Gm7♭5/C♯
C7♯5
A♯13
G♯9♯5
G9♯5
Cmadd2
D♯Maj7/A♯
G♯69
F♯Maj9
A♯13♯11
D♯Maj13
G9♯5
CmMaj7add9add11
Cm11
B7♯9♯5
EMaj9
A♯7♭9♭5♯5
D♯69
Dm7♭5/G♯
A♯7♭9♭5♯5
D♯69

Chord Diagrams — Elizete in C (Guitar)

Display
FingerNoteDegree
Cmadd2
D♯Maj7/A♯
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
G♯69
EADGBE11111x
EADGBE1112345frEADGBExx213410frEADGBE11x234
G9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
F♯Maj9
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
A♯13♯11
A♯ - D - F - G♯ - C - E - G
D♯Maj13
D♯ - G - A♯ - D - F - C
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
G7sus4/D
10frEADGBE111134
EADGBE11233frEADGBE1111348frEADGBE11x234
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
Gm7♭5/C♯
EADGBE3xx421
EADGBE2x341x5frEADGBE222xx110frEADGBEx1324x
C7♯5
EADGBEx213x4
3frEADGBE11x4328frEADGBE1x23410frEADGBExx1423
Cm7♭5
EADGBEx1324x
4frEADGBE11xx248frEADGBE11123410frEADGBE333xx1
F7♭9
EADGBE111423
EADGBE11xx237frEADGBE11x23411frEADGBE3241xx
A♯13
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
G♯9♯5
EADGBE111234
3frEADGBE112344frEADGBExx123410frEADGBEx2134
G9♯5
EADGBE321
EADGBE21314x9frEADGBE222x1412frEADGBEx1324
G♯Maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
CmMaj7add9add11
Cm11
EADGBE11x234
EADGBE1111x26frEADGBE1113428frEADGBE111114
B7♯9♯5
B - D♯ - G - A - D
EMaj9
Fm9
EADGBE111134
EADGBEx12346frEADGBE2222x111frEADGBE22221
A♯7♭9♭5♯5
D♯69
EADGBExx234
EADGBE1111x25frEADGBE11x23410frEADGBE111234
Dm7♭5/G♯
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
G7♭9
EADGBE11324
EADGBE111x234frEADGBE11xx239frEADGBE11x234

Elizete in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to D# (ascending minor third), D# to G# (ascending perfect fourth), G# to G (descending half step), G to F# (descending half step), F# to F (descending half step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to A (ascending tritone), A to G (descending whole step), G to G (ascending unison), G to G (ascending unison), G to C (ascending perfect fourth), C to C (ascending unison), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to G (descending half step), G to G# (ascending half step), G# to C (ascending major third), C to C (ascending unison), C to B (descending half step), B to E (ascending perfect fourth), E to F (ascending half step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D (descending half step), D to G (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G to C by perfect fourth.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 34 bars · Form: AB

Chords: Cmadd2, D♯Maj7/A♯, G♯69, G9, F♯Maj9, Fm7, A♯13♯11, D♯Maj13, A7, G7sus4/D, G7, Gm7♭5/C♯, C7♯5, Cm7♭5, F7♭9, A♯13, G♯9♯5, G9♯5, G♯Maj7, CmMaj7add9add11, Cm11, B7♯9♯5, EMaj9, Fm9, A♯7♭9♭5♯5, D♯69, Dm7♭5/G♯, G7♭9.

Scales for Improvisation C bebop minor, C bebop.

Diatonic chords: See all chords in the key of C