Elizete in D

Clare Fisher()swing
Do Re MiC D E
A
B
Dmadd2
FMaj7/C
A♯69
G♯Maj9
C13♯11
FMaj13
A7sus4/E
Am7♭5/D♯
D7♯5
C13
A♯9♯5
A9♯5
Dmadd2
FMaj7/C
A♯69
G♯Maj9
C13♯11
FMaj13
A9♯5
DmMaj7add9add11
Dm11
C♯7♯9♯5
F♯Maj9
C7♭9♭5♯5
F69
Em7♭5/A♯
C7♭9♭5♯5
F69

Chord Diagrams — Elizete in D (Guitar)

Display
FingerNoteDegree
Dmadd2
FMaj7/C
3frEADGBE11x333
EADGBExx321EADGBE1114238frEADGBE111324
A♯69
EADGBEx123
5frEADGBE1112347frEADGBE2222x112frEADGBE11x234
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
G♯Maj9
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
C13♯11
C - E - G - B♭ - D - F♯ - A
FMaj13
F - A - C - E - G - D
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
A7sus4/E
EADGBEx23
5frEADGBE1111347frEADGBEx132410frEADGBE11x234
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
Am7♭5/D♯
EADGBEx23x
4frEADGBE2x341x5frEADGBE1112347frEADGBE222xx1
D7♯5
EADGBExx412
4frEADGBEx213x45frEADGBE11x43210frEADGBE1x234x
Dm7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
G7♭9
EADGBE11324
EADGBE111x234frEADGBE11xx239frEADGBE11x234
C13
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
A♯9♯5
EADGBEx1234
EADGBE1112345frEADGBE11234x6frEADGBE11x234
A9♯5
EADGBEx2413
3frEADGBE32145frEADGBEx123411frEADGBEx2134
A♯Maj7
EADGBE11x324
3frEADGBE111xx46frEADGBE1114238frEADGBE11333x
DmMaj7add9add11
Dm11
EADGBE11xx
3frEADGBE11x2348frEADGBE11134210frEADGBE111114
C♯7♯9♯5
C♯ - F - A - B - E
F♯Maj9
Gm9
EADGBE2341
3frEADGBE1111346frEADGBE11xx28frEADGBE2222x1
C7♭9♭5♯5
F69
EADGBE123
EADGBExx21345frEADGBE1111x27frEADGBE11x234
Em7♭5/A♯
8frEADGBE11xx24
EADGBE333127frEADGBEx1324x11frEADGBE2x341x
A7♭9
EADGBE11x23
5frEADGBE1114236frEADGBE11xx2311frEADGBE11x234

Elizete in D

Key of D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to F (ascending minor third), F to A# (ascending perfect fourth), A# to A (descending half step), A to G# (descending half step), G# to G (descending half step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to B (ascending tritone), B to A (descending whole step), A to A (ascending unison), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to A# (descending whole step), A# to A (descending half step), A to A# (ascending half step), A# to D (ascending major third), D to D (ascending unison), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to G (ascending half step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to E (descending half step), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to D by perfect fourth.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 34 bars · Form: AB

Chords: Dmadd2, FMaj7/C, A♯69, A9, G♯Maj9, Gm7, C13♯11, FMaj13, B7, A7sus4/E, A7, Am7♭5/D♯, D7♯5, Dm7♭5, G7♭9, C13, A♯9♯5, A9♯5, A♯Maj7, DmMaj7add9add11, Dm11, C♯7♯9♯5, F♯Maj9, Gm9, C7♭9♭5♯5, F69, Em7♭5/A♯, A7♭9.

Scales for Improvisation D bebop minor, D bebop.

Diatonic chords: See all chords in the key of D