Do Re MiC D E

East St. Louis Toodle-oo

Ellington-Milley4/4medium-swing
Gm/E♭
Cm6/D
Gm/E♭
Gm/G
Cm6/A♭
Gm/G
Gm/E♭
D7♭9/D
Gm/E♭
Cm6/D
Gm/E♭
Gm/G
Cm6/A♭
Gm/G
Gm/E♭
D7♭9/D
Gm/E♭
Cm6/D
Gm/E♭
Gm/G
Cm6/A♭
Gm/G
Gm/E♭
D7♭9/D

Chord Diagrams — East St. Louis Toodle-oo in G (Guitar)

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East St. Louis Toodle-oo in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to G (ascending unison), G to C (ascending perfect fourth), C to C (ascending unison), C to G (descending perfect fourth), G to C (ascending perfect fourth), C to D (ascending whole step), D to D# (ascending half step), D# to D (descending half step), D to F# (ascending major third), F# to F (descending half step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to D (ascending major third), D to G (ascending perfect fourth), G to F# (descending half step), F# to F (descending half step), F to E (descending half step), E to D (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to G by perfect fourth.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 32 bars · Form: AABA

Chords: Gm, Gm/E♭, Cm6/D, Cm6, Gm/G, Cm6/A♭, D7♭9/D, D♯7, D7♭9, F♯dim7, Fm7, A♯7, D♯6, D♯m6, A♯6, Dm7/D, G7, F♯7, F7, E7, D7.

Scales for Improvisation G bebop minor, G bebop.

Diatonic chords: See all chords in the key of G