Do Re MiC D E

East St. Louis Toodle-oo

Ellington-Milley4/4medium-swing
Em/E♭
Am6/D
Em/E♭
Em/G
Am6/A♭
Em/G
Em/E♭
B7♭9/D
Em/E♭
Am6/D
Em/E♭
Em/G
Am6/A♭
Em/G
Em/E♭
B7♭9/D
Em/E♭
Am6/D
Em/E♭
Em/G
Am6/A♭
Em/G
Em/E♭
B7♭9/D

Chord Diagrams — East St. Louis Toodle-oo in E (Guitar)

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East St. Louis Toodle-oo in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to E (ascending unison), E to A (ascending perfect fourth), A to A (ascending unison), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to B (ascending whole step), B to C (ascending half step), C to B (descending half step), B to D# (ascending major third), D# to D (descending half step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C (ascending unison), C to G (descending perfect fourth), G to B (ascending major third), B to E (ascending perfect fourth), E to D# (descending half step), D# to D (descending half step), D to C# (descending half step), C# to B (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 32 bars · Form: AABA

Chords: Em, Em/E♭, Am6/D, Am6, Em/G, Am6/A♭, B7♭9/D, C7, B7♭9, D♯dim7, Dm7, G7, C6, Cm6, G6, Bm7/D, E7, D♯7, D7, C♯7, B7.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E