Come Rain Or Come Shine in Mi

Harold Arlen()swingModerately
A
B

Chord Diagrams — Come Rain Or Come Shine in Mi (Guitar)

MiMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
La♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
Re♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
Sol♯7♭9
EADGBE111x2
4frEADGBE11xx235frEADGBE11xx2310frEADGBE11x234
Do♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
Fa♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
Fa♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
Si7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
Mi7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
Sim7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
Lam7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
Mim
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
Lam
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
Fa♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
Si7♭5
EADGBEx3142
EADGBEx1213x6frEADGBE2x341x9frEADGBExx1234
Si75
Si7♯5
Si - Re♯ - Sol - La
Do♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
Fa♯7♭9
EADGBE2134
3frEADGBE11xx238frEADGBE11x23412frEADGBE3241xx
Sim
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
Rem7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
Sol♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
Dom7♭5
EADGBEx1324x
4frEADGBE11xx248frEADGBE11123410frEADGBE333xx1
Fam7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
La♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
Sol♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
La7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
Do♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
ReMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
Fa♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
Sol9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
Fa♯7/f
Fa - Fa♯ - La♯ - Do♯ - Mi

Come Rain Or Come Shine in Mi

Come Rain Or Come Shine in Mi

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to A# (ascending tritone), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to A (descending whole step), A to E (descending perfect fourth), E to A (ascending perfect fourth), A to F# (descending minor third), F# to B (ascending perfect fourth), B to B (ascending unison), B to B (ascending unison), B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to D (ascending minor third), D to G# (ascending tritone), G# to C (ascending major third), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to A (ascending half step), A to C# (ascending major third), C# to D (ascending half step), D to F# (ascending major third), F# to G (ascending half step), G to F# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to E by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AB

Chords: MiMaj7, La♯m7♭5, Re♯m7♭5, Sol♯7♭9, Do♯m7, Fa♯9, Fa♯m7, Si7, Mi7, Sim7, Lam7, Mim, Lam, Fa♯m7♭5, Si7♭5, Si75, Si7♯5, Do♯m7♭5, Fa♯7♭9, Sim, Rem7, Sol♯m7, Dom7♭5, Fam7, La♯7, Sol♯7, La7, Do♯7, ReMaj7, Fa♯7, Sol9, Fa♯7/f.

Scales for Improvisation Mi bebop, Mi bebop major.