Do Re MiC D E

Come Rain Or Come Shine

Harold Arlen4/4swingModerately

Chord Diagrams — Come Rain Or Come Shine in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯Maj7
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x
Em7♭5
EADGBE33312
7frEADGBEx1324x
8frEADGBE11xx24
11frEADGBE2x341x
Am7♭5
EADGBEx23x
4frEADGBE2x341x
5frEADGBE111234
7frEADGBE222xx1
D7♭9
2frEADGBExx431
4frEADGBE11x234
5frEADGBE11x24
8frEADGBE3241xx
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
C9
EADGBE221334
7frEADGBE112344
7frEADGBE131214
9frEADGBExx2143
Cm7
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
8frEADGBE111113
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
A♯m
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
D♯m
EADGBExx1342
EADGBExx3241
6frEADGBE111342
11frEADGBE111134
Cm7♭5
EADGBEx1324x
4frEADGBE11xx24
8frEADGBE111234
10frEADGBE333xx1
F7♭5
3frEADGBExx1234
EADGBE1243
6frEADGBExx2413
8frEADGBE11x23x
F7♯5
3frEADGBExx1423
EADGBE1234x
8frEADGBE11x432
12frEADGBE213x4x
Gm7♭5
5frEADGBE222xx1
EADGBE3xx421
EADGBE2x341x
10frEADGBEx1324x
C7♭9
6frEADGBE3241xx
EADGBE11x234
8frEADGBE111x23
9frEADGBExx3142
Fm
8frEADGBE111342
EADGBE111134
3frEADGBExx1342
10frEADGBE1142xx
G♯m7
9frEADGBE11x23x
4frEADGBE111113
6frEADGBE11x423
11frEADGBE111132
Dm7
10frEADGBE111113
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
F♯m7♭5
10frEADGBE11xx24
EADGBE2341
4frEADGBE222xx1
9frEADGBEx1324x
Bm7
9frEADGBE11x423
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
E7
9frEADGBE111xx2
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
D7
10frEADGBE111132
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
D♯7
11frEADGBE111132
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
G7
10frEADGBE111134
EADGBE321
3frEADGBE111132
5frEADGBE11x324
G♯Maj7
9frEADGBEx3241x
4frEADGBE111423
6frEADGBE11x333
11frEADGBE111324
C7
8frEADGBE111132
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
C♯9
8frEADGBE3142xx
EADGBE221334
9frEADGBE111324
10frEADGBExx2143
C7/f
8frEADGBE111132
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2

Explore More

Come Rain Or Come Shine in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to E (ascending tritone), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C (ascending unison), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to F (descending perfect fourth), F to D# (descending whole step), D# to A# (descending perfect fourth), A# to D# (ascending perfect fourth), D# to C (descending minor third), C to F (ascending perfect fourth), F to F (ascending unison), F to G (ascending whole step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to G# (ascending minor third), G# to D (ascending tritone), D to F# (ascending major third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to D (descending whole step), D to D# (ascending half step), D# to G (ascending major third), G to G# (ascending half step), G# to C (ascending major third), C to C# (ascending half step), C# to C (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to A# by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AB

Chords: A♯Maj7, Em7♭5, Am7♭5, D7♭9, Gm7, C9, Cm7, F7, A♯7, Fm7, D♯m7, A♯m, D♯m, Cm7♭5, F7♭5, F7♯5, Gm7♭5, C7♭9, Fm, G♯m7, Dm7, F♯m7♭5, Bm7, E7, D7, D♯7, G7, G♯Maj7, C7, C♯9, C7/f.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#