Do Re MiC D E

Chega De Saudade (No More Blues)

Jobim Antonio-Carlos4/4bossa-nova

Chord Diagrams — Chega De Saudade (No More Blues) in D (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Gm9
6frEADGBE11xx2
EADGBE2341
3frEADGBE111134
8frEADGBEx21344
A7♭9
6frEADGBE11xx23
EADGBE11x23
5frEADGBE111423
11frEADGBE11x234
Dm7
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113
Dm7/C
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113
Bdim7
6frEADGBE3x142x
EADGBE11x234
EADGBExx1324
7frEADGBE111234
D♯/A♯
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
A7
7frEADGBEx1324
EADGBEx23
EADGBE111x2
5frEADGBE111132
D♯7♯11
6frEADGBE11x23x
EADGBExx1234
5frEADGBE11x234
10frEADGBE111234
Dm
6frEADGBEx4231x
EADGBExx231
5frEADGBE111342
10frEADGBE111134
E7♭9/B
6frEADGBE11x234
EADGBE312
4frEADGBE1134
10frEADGBE3241xx
Em7♭5/A♯
7frEADGBEx1324x
EADGBE33312
8frEADGBE11xx24
11frEADGBE2x341x
Em7♭5
7frEADGBEx1324x
EADGBE33312
8frEADGBE11xx24
11frEADGBE2x341x
Bm7♭5
7frEADGBE111234
EADGBEx1324x
6frEADGBE2x341x
9frEADGBE222xx1
E7
7frEADGBE111134
EADGBE21
5frEADGBEx3241x
9frEADGBE111xx2
Am
7frEADGBEx1342
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
A♯maj7
8frEADGBE11333x
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
D7♭9
8frEADGBE3241xx
2frEADGBExx431
4frEADGBE11x234
5frEADGBE11x24
Gm
10frEADGBE111342
EADGBE2134
3frEADGBE111134
5frEADGBExx1342
Em7
8frEADGBExx2314
EADGBE2
EADGBE11423
7frEADGBE111132
Dmaj7
7frEADGBE111xx4
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
B7/D♯
7frEADGBE111132
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
A7sus4
7frEADGBEx1324
EADGBEx23
5frEADGBE111134
10frEADGBE11x234
Ddim7
7frEADGBEx2431
EADGBExx23
4frEADGBE11x234
10frEADGBE111234
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
Fdim7
7frEADGBE111234
EADGBE1x23
EADGBE11xx34
12frEADGBE3x142x
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
F♯7
7frEADGBEx3241x
EADGBE111132
4frEADGBE11x324
9frEADGBE111134
A♯m7
8frEADGBE11x423
EADGBE111x32
EADGBExx2314
6frEADGBE111113
Am7
7frEADGBE11x423
EADGBEx21
EADGBEx2314
5frEADGBE111113
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
Gmaj7
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
D6
3frEADGBEx4231x
EADGBExx23
5frEADGBE3333x1
7frEADGBE111134

Explore More

Chega De Saudade (No More Blues) in D

Key of D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to A (ascending whole step), A to D (ascending perfect fourth), D to D (ascending unison), D to B (descending minor third), B to D# (ascending major third), D# to A (ascending tritone), A to D# (ascending tritone), D# to D (descending half step), D to E (ascending whole step), E to E (ascending unison), E to E (ascending unison), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A# (ascending half step), A# to D (ascending major third), D to G (ascending perfect fourth), G to E (descending minor third), E to D (descending whole step), D to B (descending minor third), B to A (descending whole step), A to D (ascending perfect fourth), D to F# (ascending major third), F# to F (descending half step), F to B (ascending tritone), B to F# (descending perfect fourth), F# to A# (ascending major third), A# to A (descending half step), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G (ascending unison), G to B (ascending major third), B to D (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to G by perfect fourth.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 76 bars · Form: ABCD

Chords: Gm9, A7♭9, Dm7, Dm7/C, Bdim7, D♯/A♯, A7, D♯7♯11, Dm, E7♭9/B, Em7♭5/A♯, Em7♭5, Bm7♭5, E7, Am, A♯maj7, D7♭9, Gm, Em7, Dmaj7, B7/D♯, A7sus4, Ddim7, F♯m7, Fdim7, Bm7, F♯7, A♯m7, Am7, D7, Gmaj7, Gm7, B7, D6.

Scales for Improvisation D bebop minor, D bebop.

Diatonic chords: See all chords in the key of D