Do Re MiC D E

Chega De Saudade (No More Blues)

Jobim Antonio-Carlos4/4bossa-nova

Chord Diagrams — Chega De Saudade (No More Blues) in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Fm9
EADGBEx1234
EADGBE111134
6frEADGBEx21344
11frEADGBE21344
G7♭9
EADGBE111x23
EADGBE11324
4frEADGBE11xx23
9frEADGBE11x234
Cm7
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
Cm7/A♯
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
Adim7
4frEADGBE112x3x
EADGBEx1324
5frEADGBE111234
7frEADGBE11x34
C♯/G♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
C♯7♯11
4frEADGBE111x23
EADGBEx213
8frEADGBE111234
9frEADGBE111123
Cm
3frEADGBE111342
EADGBEx3214
5frEADGBE1142xx
8frEADGBE111134
D7♭9/A
2frEADGBExx431
4frEADGBE11x234
5frEADGBE11x24
8frEADGBE3241xx
Dm7♭5/G♯
3frEADGBE11x342
EADGBE111xx
5frEADGBEx1324x
8frEADGBEx1432
Dm7♭5
3frEADGBE11x342
EADGBE111xx
5frEADGBEx1324x
8frEADGBEx1432
Am7♭5
4frEADGBE2x341x
EADGBEx23x
5frEADGBE111234
7frEADGBE222xx1
D7
3frEADGBEx3241x
EADGBExx213
5frEADGBE111134
10frEADGBE111132
Gm
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
C7♭9
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
Fm
EADGBE111134
3frEADGBExx1342
8frEADGBE111342
10frEADGBE1142xx
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
Cmaj7
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
A7/C♯
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
G7sus4
EADGBE1123
3frEADGBE111134
8frEADGBE11x234
10frEADGBE111134
Cdim7
EADGBExx1324
EADGBE11x234
7frEADGBE112x3x
10frEADGBE11xx34
Em7
EADGBE2
EADGBE11423
7frEADGBE111132
8frEADGBExx2314
D♯dim7
EADGBExx1324
5frEADGBE11x234
7frEADGBExx1324
10frEADGBE112x3x
Am7
EADGBEx21
EADGBEx2314
5frEADGBE111113
7frEADGBE11x423
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A7
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
C6
3frEADGBE3333x1
EADGBEx4231
7frEADGBE2x143x
8frEADGBE11x324

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Chega De Saudade (No More Blues) in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F to G (ascending whole step), G to C (ascending perfect fourth), C to C (ascending unison), C to A (descending minor third), A to C# (ascending major third), C# to G (ascending tritone), G to C# (ascending tritone), C# to C (descending half step), C to D (ascending whole step), D to D (ascending unison), D to D (ascending unison), D to A (descending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G# (ascending half step), G# to C (ascending major third), C to F (ascending perfect fourth), F to D (descending minor third), D to C (descending whole step), C to A (descending minor third), A to G (descending whole step), G to C (ascending perfect fourth), C to E (ascending major third), E to D# (descending half step), D# to A (ascending tritone), A to E (descending perfect fourth), E to G# (ascending major third), G# to G (descending half step), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to F (ascending unison), F to A (ascending major third), A to C (ascending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to F by perfect fourth.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 76 bars · Form: ABCD

Chords: Fm9, G7♭9, Cm7, Cm7/A♯, Adim7, C♯/G♯, G7, C♯7♯11, Cm, D7♭9/A, Dm7♭5/G♯, Dm7♭5, Am7♭5, D7, Gm, G♯maj7, C7♭9, Fm, Dm7, Cmaj7, A7/C♯, G7sus4, Cdim7, Em7, D♯dim7, Am7, E7, G♯m7, Gm7, C7, Fmaj7, Fm7, A7, C6.

Scales for Improvisation C bebop minor, C bebop.

Diatonic chords: See all chords in the key of C