Do Re MiC D E

Black Narcissus

Henderson Joe4/4waltz
A♯m7/A♭
A♯m7/A♭
A♯m7/A♭
C♭maj7♯11
G♯m7/F♯
G♯m7/F♯
G♯m7/F♯
Amaj7♯11
D♯maj7♯11
Fmaj7♯11
A♯maj7♯11
Cmaj7♯11
D♯maj7♯11
Fmaj7♯11
A♯maj7♯11
Gmaj7♯11
G♯maj7♯11
A♯maj
Cmaj7♯11

Chord Diagrams — Black Narcissus in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
A♯m7/A♭
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
Bmaj7♯11
EADGBE11x234
6frEADGBE111123
7frEADGBE111234
11frEADGBE11x423
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
G♯m7/F♯
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
Amaj7♯11
4frEADGBE111123
EADGBEx2134
6frEADGBE11x34
9frEADGBE11x423
D♯maj7♯11
3frEADGBE11x423
EADGBEx314x
6frEADGBE11x234
10frEADGBE111123
Fmaj7♯11
EADGBExx213
EADGBE12
5frEADGBE11x423
8frEADGBE11x234
A♯maj7♯11
EADGBE11x234
5frEADGBE111123
6frEADGBE111234
10frEADGBE11x423
Cmaj7♯11
EADGBEx4231
3frEADGBE11x234
7frEADGBE111123
8frEADGBE111234
Gmaj7♯11
EADGBE111133
3frEADGBE111234
7frEADGBE11x423
10frEADGBE11x234
G♯maj7♯11
EADGBE111123
4frEADGBE111234
8frEADGBE11x423
11frEADGBE11x234
A♯maj
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243

Explore More

Black Narcissus in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to A# (ascending whole step), A# to Cb (ascending whole step), Cb to F# (ascending tritone), F# to G# (ascending whole step), G# to A (ascending half step), A to D# (ascending tritone), D# to F (ascending whole step), F to A# (ascending perfect fourth), A# to C (ascending whole step), C to G (descending perfect fourth), G to G# (ascending half step), G# to A# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to G# by whole step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

waltz4/4 · 24 bars · Form: ABC

Chords: G♯m7, A♯m7/A♭, C♭maj7♯11, F♯m7, G♯m7/F♯, Amaj7♯11, D♯maj7♯11, Fmaj7♯11, A♯maj7♯11, Cmaj7♯11, Gmaj7♯11, G♯maj7♯11, A♯maj.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#